Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
cover price: € 160.00
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Books included in the offer:
Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
FREE (cover price: € 160.00)
Le botteghe del marmo
Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).
FREE (cover price: € 34.49)
Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo
Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).
FREE (cover price: € 30.00)
Bronzetti e Rilievi dal XV al XVIII Secolo
Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.
FREE (cover price: € 90.00)
Giovanna Silva. Black Coffee No Sugar. Genoa
Valter Scelsi
Mousse Publishing
Italian and English Text.
Milano, 2023; paperback, pp. 196, b/w and col. ill., cm 16x22.
ISBN: 88-6749-569-0 - EAN13: 9788867495696
Subject: Collections,Photography,Travel's Culture
Places: Ligurian
Languages:
Weight: 1.13 kg
The protagonist of this new book by Giovanna Silva is the city of Genoa. From spontaneous walks through Genoa, in search of its contemporary architecture-hidden between causeways, sea, and steep hills-Silva moves to Franco Albinis interiors. Albini, called to design and rethink the citys museum system by the legendary figure of Caterina Marcenaro-the first historian of Italian art, thwarted by the entire male clan of the time-builds and perfects pieces of Genoa making it a more modern city. Silvas book is a look at these places that combine the past of historic buildings with the contemporaneity of the first modern museums. Her photos are in dialogue with those of Paolo Monti, who instead photographed Albinis work during construction at the end of the forties.
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