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DEAL OF THE DAY

Felice Palma. Massa 1583-1625. Collezione / Collection.

Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).

cover price: € 160.00

Felice Palma. Massa 1583-1625. Collezione / Collection.

Total price: € 160.00 € 314.49 add to cart carrello

Books included in the offer:

Felice Palma. Massa 1583-1625. Collezione / Collection.

Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).

FREE (cover price: € 160.00)

Felice Palma. Massa 1583-1625. Collezione / Collection.

Le botteghe del marmo

Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).

FREE (cover price: € 34.49)

Le botteghe del marmo

Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo

Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).

FREE (cover price: € 30.00)

Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo

Bronzetti e Rilievi dal XV al XVIII Secolo

Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.

FREE (cover price: € 90.00)

Bronzetti e Rilievi dal XV al XVIII Secolo

chiudi

Ugo La Pietra. Arte e territorio 1968-2020

Manfredi Edizioni

Edited by M. Tonelli and Fiorucci L.
Italian and English Text.
Imola, 2020; hardback, pp. 192, b/w and col. ill., cm 19x26.

EAN13: 9791280049056

Period: 1800-1960 (XIX-XX) Modern Period,1960- Contemporary Period

Languages:  english, italian text   english, italian text  

Weight: 0.83 kg


For many years, from within the art system, I have committed myself to switching from an art practice with an eye to social issues (artworks almost invariably originated in galleries and museums and then placed in the urban space) to an idea of art "for" social issues.
Art for social issues articulates in a series of practices, but the first and foremost is undoubtedly that of "decoding". Such a practice can be easily described, and therefore easily understood, via the motto "living is to be at home everywhere", which I envisaged as I was carrying out a project with urban signage in the 1960s/1970s. [...]

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design e realizzazione: Vincent Wolterbeek / analisi e programmazione: Rocco Barisci