Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
cover price: € 160.00
|
Books included in the offer:
Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
FREE (cover price: € 160.00)
Le botteghe del marmo
Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).
FREE (cover price: € 34.49)
Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo
Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).
FREE (cover price: € 30.00)
Bronzetti e Rilievi dal XV al XVIII Secolo
Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.
FREE (cover price: € 90.00)
Michael Turek: Siberia
Turek Michael
Damiani
English Text.
Bologna, 2020; bound, pp. 184, ill., cm 29,5x24,5.
ISBN: 88-6208-701-2 - EAN13: 9788862087018
Subject: Collections,Photography
Period: 1960- Contemporary Period
Languages:
Weight: 1.28 kg
Growing up near Washington DC at the end of the Cold War, New York-based photographer Michael Turek (born 1982) has always been drawn to Russia as a taboo, forbidden place. This project began in the winter of 2016 when he joined award-winning British writer Sophy Roberts as she pursued a three-year search for a historic piano in Siberia; he traveled to the region another five times, exploring the vast territory east of the Ural Mountains all the way to the Pacific.
Turek's images record a constant tension?sometimes bizarre, often unsettling?between desecrated landscapes alongside pristine wildernesses; between the lives of indigenous people and modern Russians; between worn-out infrastructure and abandoned towns juxtaposed with gleaming new cities pumping gas and oil. The journey takes him deeper and deeper into small towns and villages, into the arsenic-green corridors of Khrushchev apartment blocks. The photographs have a slowness and a stillness to them. Each one is a fragment of a conversation, a moment of genuine intimacy between subject and photographer.










