Italia Cinquanta moda e design. Nascita di uno stile
Gorizia, Palazzo Attems Petzenstein, March 21 - August 27, 2023.
Edited by Raffaella Sgubin, Carla Cerutti and Enrico Minio Capucci.
Cornuda, 2023; hardback, pp. 336, col. ill., cm 20x26.
cover price: € 33.00
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Books included in the offer:
Italia Cinquanta moda e design. Nascita di uno stile
Gorizia, Palazzo Attems Petzenstein, March 21 - August 27, 2023.
Edited by Raffaella Sgubin, Carla Cerutti and Enrico Minio Capucci.
Cornuda, 2023; hardback, pp. 336, col. ill., cm 20x26.
FREE (cover price: € 33.00)
Parodie del design. Scritti critici e polemici
Torino, 2008; paperback, pp. 94, 8 b/w ill., cm 12,5x19,5.
FREE (cover price: € 12.00)
Moda e modi. Stile e costume in Italia 1900-1960
Arezzo, Basilica di San Francesco, March 24 - November 4, 2018.
Roma, 2018; paperback, pp. 96, col. ill., cm 21,5x21,5.
FREE (cover price: € 25.00)
Gli italiani e la moda. 1860-1960
Stra, Museo Nazionale di Villa Pisani, April 8 - November 1, 2017.
Edited by Alberto Manodori Sagredo.
Roma, 2017; paperback, pp. 94, b/w ill., cm 16x23.
FREE (cover price: € 15.00)
Michael Turek: Siberia
Turek Michael
Damiani
English Text.
Bologna, 2020; bound, pp. 184, ill., cm 29,5x24,5.
ISBN: 88-6208-701-2 - EAN13: 9788862087018
Subject: Collections,Photography
Period: 1960- Contemporary Period
Languages:
Weight: 1.28 kg
Growing up near Washington DC at the end of the Cold War, New York-based photographer Michael Turek (born 1982) has always been drawn to Russia as a taboo, forbidden place. This project began in the winter of 2016 when he joined award-winning British writer Sophy Roberts as she pursued a three-year search for a historic piano in Siberia; he traveled to the region another five times, exploring the vast territory east of the Ural Mountains all the way to the Pacific.
Turek's images record a constant tension?sometimes bizarre, often unsettling?between desecrated landscapes alongside pristine wildernesses; between the lives of indigenous people and modern Russians; between worn-out infrastructure and abandoned towns juxtaposed with gleaming new cities pumping gas and oil. The journey takes him deeper and deeper into small towns and villages, into the arsenic-green corridors of Khrushchev apartment blocks. The photographs have a slowness and a stillness to them. Each one is a fragment of a conversation, a moment of genuine intimacy between subject and photographer.










