LATEST ART BOOKS
Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
cover price: € 160.00
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Books included in the offer:
Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
FREE (cover price: € 160.00)
Le botteghe del marmo
Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).
FREE (cover price: € 34.49)
Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo
Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).
FREE (cover price: € 30.00)
Bronzetti e Rilievi dal XV al XVIII Secolo
Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.
FREE (cover price: € 90.00)
Tickety-Boo
Traub Charles H.
Damiani
Bologna, 2021; bound, pp. 208, 200 b/w and col. ill., cm 18x18.
ISBN: 88-6208-746-2 - EAN13: 9788862087469
Subject: Collections,Photography
Languages: 
Weight: 1 kg
The English expression tickety-boo loosely translates 'Everything is okay, but maybe everything isn't!' Therein lies the enigmatic crux of the images contained in the book. The smart phone is an ingenious companion that readily makes a photographic response by Traub quick and unobtrusive - a third eye, if you will. A stream of consciousness flows in his response to places, things, and people that catch his eclectic whimsy. His subjects are ambiguous and out of context, yet once organized together within this book, create a kind of pictorial completeness, both soothing and disquieting. The photographs in each spread vividly amplify each other leading the viewer to the next sequence. The mundane becomes animated, and in the end, this is a book about the delirious conditions of our time.
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