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DEAL OF THE DAY

Arturo Martini. I capolavori

Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.

cover price: € 33.00

Arturo Martini. I capolavori

Total price: € 33.00 € 97.00 add to cart carrello

Books included in the offer:

Arturo Martini. I capolavori

Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.

FREE (cover price: € 33.00)

Arturo Martini. I capolavori

Studi su Arturo Martini. Per Ofelia

Edited by Matteo Ceriana and Claudia Gian Ferrari.
Milano, Atti del Covegno, 19 maggio 2008.
Milano, 2009; paperback, pp. 136, 97 b/w ill., cm 17x24.

FREE (cover price: € 29.00)

Studi su Arturo Martini. Per Ofelia

Canova. L'invenzione della gloria. Disegni, dipinti e sculture.

Genova, Palazzo Reale, April 16 - July 24, 2016.
Edited by Giuliana Ericani and Franceasco Leone.
Roma, 2016; paperback, pp. 306, col. ill., col. plates, cm 23x30.

FREE (cover price: € 35.00)

Canova. L'invenzione della gloria. Disegni, dipinti e sculture.

chiudi

The Image Miracolus in the Late Middle Ages and Renaissance

Libreria Editrice L'Erma di Bretschneider

Papers from Conference Held, Accademia di Danimarca in collaboration with the Biblioteca Hertziana.
English Text.
Roma, 2004; paperback, pp. 324, ill., tavv., cm 19x28,5.
(Analecta Romana Instituti Danici. Supplementa. 35).
(Analecta Romana Instituti Danici. Supplementum. 35).

series: Analecta Romana Instituti Danici. Supplementa

ISBN: 88-8265-291-2 - EAN13: 9788882652913

Subject: Essays (Art or Architecture),Painting

Period: 0-1000 (0-XI) Ancient World,1000-1400 (XII-XIV) Middle Ages,1400-1800 (XV-XVIII) Renaissance

Places: Europe

Extra: Bizantyn Art

Languages:  english text  

Weight: 1.43 kg


PREFACE by Eric Thunø and Gerhard Wolf; INTRODUCTION by André Vauchez; R. C. TREXLER, being and Non-Being. Parameters of the Miraculous in the Traditional Religious Image; E. THUNØ, The Miraculous Image and the Centralized Church.
Santa Maria della Consolazione in Todi; P. DAVIES, The Lighting of Pilgrimage Shrines in Renaissance Italy; R. MANIURA, The Images and Miracles of Santa Maria delle Carceri; M. HOLMES, The Elusive Origins of the Cult of the Annunziata in Florence; G. BARONE, Immagini miracolose a Roma alla fine del Medio Evo; B. KEMPERS, The Pope's Two Bodies. Julius II, Raphael and Saint Luke's Virgin of Santa Maria del Popolo; B. WISCH, Keys to Success. Property and Promotion of Miraculous Images by Roman Confraternities; M. STEEN HANSEN, Parmigianino and the Defence of a Miraculous Image; J. GARNET AND G. ROSSER, Translations of the Miraculous. Cult Images and Their Representations in Early Modern Liguria; M.
BACCI, Portolano sacro. Santuari e immagini sacre lungo le rotte di navigazione del Mediterraneo tra tardo Medioevo e prima età moderna; S. VERDI WEBSTER, Shameless Beauty and Worldly Splendor.
On the Spanish Practice of Adornino the Virgin; A.
LIDOV, The Flying Hodegetria. The Miraculous Icon as Bearer of sacred Space; G. WOLF, Le immagini nel Quattrocento tra miracolo e magi

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