LATEST ART BOOKS
Arturo Martini. I capolavori
Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.
cover price: € 33.00
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Books included in the offer:
Arturo Martini. I capolavori
Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.
FREE (cover price: € 33.00)
Studi su Arturo Martini. Per Ofelia
Edited by Matteo Ceriana and Claudia Gian Ferrari.
Milano, Atti del Covegno, 19 maggio 2008.
Milano, 2009; paperback, pp. 136, 97 b/w ill., cm 17x24.
FREE (cover price: € 29.00)
Canova. L'invenzione della gloria. Disegni, dipinti e sculture.
Genova, Palazzo Reale, April 16 - July 24, 2016.
Edited by Giuliana Ericani and Franceasco Leone.
Roma, 2016; paperback, pp. 306, col. ill., col. plates, cm 23x30.
FREE (cover price: € 35.00)
JR. Can art change the world?
Thompson Nato
Phaidon Press Limited
Milano, 2015; bound, pp. 296, col. ill., cm 25x29.
(Arte).
series: Arte
ISBN: 0-7148-6949-X - EAN13: 9780714869490
Subject: Collections,Essays (Art or Architecture),Monographs (Painting and Drawing),Painting,Photography
Period: 1960- Contemporary Period
Languages: 
Weight: 0.79 kg
JR's site-specific international projects have a wide audience spanning urban and youth cultures, and art and activism.
Made in close collaboration with JR, the book features previously unpublished work-inprogress photographs and behind-the-scenes documentation of his studios in Paris and New York.
In today's climate of globalization, JR's public interventions across the world are urgent acts that give voice and presence to both subject and viewer through the language of photography.
Includes all bodies of his work, collaborations with artists and institutions such as the New York City Ballet, a section devoted to artworks and exhibitions, and an illustrated chronology.
Features a specially commissioned graphic novel introduction by Joseph Remnant and a survey essay by Nato Thompson, Chief Curator of Creative Time, New York.
