Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
cover price: € 160.00
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Books included in the offer:
Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
FREE (cover price: € 160.00)
Le botteghe del marmo
Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).
FREE (cover price: € 34.49)
Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo
Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).
FREE (cover price: € 30.00)
Bronzetti e Rilievi dal XV al XVIII Secolo
Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.
FREE (cover price: € 90.00)
Common ground
Teller Juergen
Marsilio
Venezia, Biennale.
Venezia, 2012; paperback, pp. 96, 92 col. ill., cm 22,5x32,5.
ISBN: 88-317-1436-8 - EAN13: 9788831714365
Subject: Collections,Monographs (Sculpture and Decorative Arts),Photography
Period: 1960- Contemporary Period
Languages:
Weight: 0.65 kg
The biennale is both an exhibition and an event. It provides a dramatic setting for the architectural community and all those with an interest to convene around the spectacle of an exhibition in the inspiring locations of the Arsenale and the Giardini. While the exhibition must endure into the dark days of the winter, it is the hot and sweaty days of the openings that define the occasion.
Juergen Teller's photographs capture both the stage and the players of these dramatic days. He captures the intense humanity of the celebration and intensifies both its innocence and its presence. Through its photographs we feel not only the humidity of Venice but the warmth of this coming together on common ground.
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