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DEAL OF THE DAY

Arturo Martini. I capolavori

Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.

cover price: € 33.00

Arturo Martini. I capolavori

Total price: € 33.00 € 97.00 add to cart carrello

Books included in the offer:

Arturo Martini. I capolavori

Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.

FREE (cover price: € 33.00)

Arturo Martini. I capolavori

Studi su Arturo Martini. Per Ofelia

Edited by Matteo Ceriana and Claudia Gian Ferrari.
Milano, Atti del Covegno, 19 maggio 2008.
Milano, 2009; paperback, pp. 136, 97 b/w ill., cm 17x24.

FREE (cover price: € 29.00)

Studi su Arturo Martini. Per Ofelia

Canova. L'invenzione della gloria. Disegni, dipinti e sculture.

Genova, Palazzo Reale, April 16 - July 24, 2016.
Edited by Giuliana Ericani and Franceasco Leone.
Roma, 2016; paperback, pp. 306, col. ill., col. plates, cm 23x30.

FREE (cover price: € 35.00)

Canova. L'invenzione della gloria. Disegni, dipinti e sculture.

chiudi

Gaspar Van Wittel. Views of Italy. Cesare Lampronti Fine Old Master Printings

Gangemi Editore

Edited by Tarizzo E.
Londra, 28 Giugno - 28 Luglio 2013.
Rome, Galleria Cesare Lampronti, 28 June - 28 July 2013.
English Text.
Roma, 2013; paperback, pp. 57, ill., col. plates, cm 21,5x30.
(Arti Visive, Architettura e Urbanistica).

series: Arti Visive, Architettura e Urbanistica

ISBN: 88-492-2661-6 - EAN13: 9788849226614

Subject: Essays (Art or Architecture),Graphic Arts (Prints, Drawings, Engravings, Miniatures),Monographs (Painting and Drawing),Painting

Period: 1400-1800 (XV-XVIII) Renaissance

Languages:  english text  

Weight: 0.331 kg


Gaspar van Wittel succeeded above all other artists in capturing the lights, mysteries and poetry of Rome, skilfully bringing together the painting technique of the Dutch School he had learnt during his apprenticeship with the intense emotional character of Roman 17th Century art, which he had encountered upon his arrival in Italy.

The decision to inaugurate our new London Gallery with an exhibition devoted to van Wittel has for me a very special significance. First because throughout my career the work of van Wittel has been the focus of particular attention and research; and secondly, because I hope that this Gallery will be a window on Italian culture in the heart of London.

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