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DEAL OF THE DAY

Arturo Martini. I capolavori

Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.

cover price: € 33.00

Arturo Martini. I capolavori

Total price: € 33.00 € 97.00 add to cart carrello

Books included in the offer:

Arturo Martini. I capolavori

Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.

FREE (cover price: € 33.00)

Arturo Martini. I capolavori

Studi su Arturo Martini. Per Ofelia

Edited by Matteo Ceriana and Claudia Gian Ferrari.
Milano, Atti del Covegno, 19 maggio 2008.
Milano, 2009; paperback, pp. 136, 97 b/w ill., cm 17x24.

FREE (cover price: € 29.00)

Studi su Arturo Martini. Per Ofelia

Canova. L'invenzione della gloria. Disegni, dipinti e sculture.

Genova, Palazzo Reale, April 16 - July 24, 2016.
Edited by Giuliana Ericani and Franceasco Leone.
Roma, 2016; paperback, pp. 306, col. ill., col. plates, cm 23x30.

FREE (cover price: € 35.00)

Canova. L'invenzione della gloria. Disegni, dipinti e sculture.

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Leonardo & Painting. [English Edition]

C.B. Cartei & Bianchi Edizioni sas

Foligno, 2010; paperback, pp. 160, col. ill., col. plates, cm 16x18.

Other editions available: Edizione Italiana (ISBN: 88-95686-17-9). French Edition (ISBN: 88-95686-24-1).

ISBN: 88-95686-24-1 - EAN13: 9788895686240

Subject: Essays (Art or Architecture),Graphic Arts (Prints, Drawings, Engravings, Miniatures),Monographs (Painting and Drawing)

Period: 1400-1800 (XV-XVIII) Renaissance

Languages:  italian text  

Weight: 0.4 kg


Leonardo was an apprentice in Verrocchio's workshop, where the young artist was fascinated by the lively and updated environment. Verrocchio taught the practice of drawing to the young Leonardo, who learnt how to describe the world around him with meticulous observation. Moreover, the artist made models in plaster or clay to better understand the world around him in order to reproduce it perfectly. This book wants to trace the career of the artist, passing from the first works by Leonardo with Verrocchio, influenced by the fertile background of Florence at the end of the fifteenth century, to the greater masterpieces.
The book also contains a section on the lost works.
A train of thoughts connects and explains great frescoes, small paintings and prestigious commissions that have influenced so many artists.
Through the pages of the book, a sort of "School of the world" is traced, revealing the myth of Leonardo.

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