Perugino e il Suo Tempo. "Il Meglio Maestro d'Italia"
Perugia, Galleria Nazionale dell'Umbria, March 4 - June 11, 2023.
Edited by Picchiarelli V. and Pierini M.
Milano, 2023; bound, pp. 592, 650 col. ill., cm 24x21.
cover price: € 40.00
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Books included in the offer:
Perugino e il Suo Tempo. "Il Meglio Maestro d'Italia"
Perugia, Galleria Nazionale dell'Umbria, March 4 - June 11, 2023.
Edited by Picchiarelli V. and Pierini M.
Milano, 2023; bound, pp. 592, 650 col. ill., cm 24x21.
FREE (cover price: € 40.00)
Michele Rocca e la pittura rococo a Roma
Brescia, 2004; bound in a case, pp. 310, b/w and col. ill., tavv., cm 24,5x31,5.
FREE (cover price: € 180.00)
Cucinare per gli amici
Translation by S. Mancuso.
Milano, 2012; clothbound, pp. 269, ill., cm 21x26,5.
(Gli Illustrati).
FREE (cover price: € 29.90)
Ettore Sottsass. Metaphors
Sottsass Ettore
Skira
Edited by M. Carboni and Radice B.
Milano, 2017; bound, pp. 132, 106 b/w ill., 4 col. ill., cm 24x34.
(Architettura. Monografie).
series: Architettura. Monografie
Other editions available: Edizione Italiana (ISBN: 88-8118-323-3). French Edition (ISBN: 88-8118-324-1).
ISBN: 88-8491-325-X - EAN13: 9788884913258
Subject: Architects and their Practices,Design,Essays (Art or Architecture)
Period: 1960- Contemporary Period
Places: No Place
Languages:
Weight: 1.202 kg
Conceived and designed in its entirety by Ettore Sottsass, the book is at once a homage to the Milanese architect and designer's conceptual and artistic experiences between the end of the sixties and the beginning of the seventies and an interesting reinterpretation of them. Considered one of the world's most acute and provocative designers since World War II, the founder of Memphis and an icon of postmodern culture, Sottsass has always combined his work in the field of design with the use of photography as a means of reflecting on reality and the role of vision.
The historical phase covered in this book is fully representative of a crucial moment of research and confrontation with the avant- garde movements in contemporary art-from Pop Art to Land Art-and at the same time provides an opportunity for a meditation, often ironic, on the role of the architect today. The photographs and graphic materials, executed in the United States, Italy and Spain between 1968 and 1976-and previously unpublished-have been assembled by the author himself and arranged in a sort of melodramatic account a posteriori in which the author holds a dialogue with his past and his memory. A private journal and at the same time a story told in pictures, which reveals the complex cultural and visual roots of Sottsass's work as well as offering us a glimpse of the great designer's mental and creative processes.









