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DEAL OF THE DAY

Felice Palma. Massa 1583-1625. Collezione / Collection.

Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).

cover price: € 160.00

Felice Palma. Massa 1583-1625. Collezione / Collection.

Total price: € 160.00 € 314.49 add to cart carrello

Books included in the offer:

Felice Palma. Massa 1583-1625. Collezione / Collection.

Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).

FREE (cover price: € 160.00)

Felice Palma. Massa 1583-1625. Collezione / Collection.

Le botteghe del marmo

Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).

FREE (cover price: € 34.49)

Le botteghe del marmo

Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo

Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).

FREE (cover price: € 30.00)

Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo

Bronzetti e Rilievi dal XV al XVIII Secolo

Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.

FREE (cover price: € 90.00)

Bronzetti e Rilievi dal XV al XVIII Secolo

chiudi

Born Invisible

Gangemi Editore

Roma, Museo di Roma, 5 Giugno - 30 Settembre 2014.
Italian and English Text.
Roma, 2014; paperback, pp. 64, ill., col. plates, cm 30x21.
(Fotografia).

series: Fotografia

ISBN: 88-492-2868-6 - EAN13: 9788849228687

Subject: Collections,Photography

Languages:  english, italian text   english, italian text  

Weight: 0.488 kg


Sheila McKinnon's arresting images of young girls capture in a single frame, the complicated pattern of cultural entrenchment that narrates their lives - beginning at birth and following through into womanhood, generation upon generation. The beauty of her composition does not overshadow the rich iconography of place - the cultural truth-teller to the situational narrative revealed in her photography.
The duration that has defined cultural pasts spills onto and beyond the spatial reality and into our consciousness.
Her photography used as a visual platform, is the door through which to enter public consciousness; to inform our communities of the cultural tsunami taking shape around the globe in response to the treatment of girls and women - the disregard for and denial of their basic human rights, primarily.

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