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DEAL OF THE DAY

La collezione dei bronzi del Museo Civico Medievale di Bologna

San Casciano V. P., 2017; paperback, pp. 402, col. plates, cm 21,5x30.

cover price: € 150.00

La collezione dei bronzi del Museo Civico Medievale di Bologna

Total price: € 150.00 € 500.00 add to cart carrello

Books included in the offer:

La collezione dei bronzi del Museo Civico Medievale di Bologna

San Casciano V. P., 2017; paperback, pp. 402, col. plates, cm 21,5x30.

FREE (cover price: € 150.00)

La collezione dei bronzi del Museo Civico Medievale di Bologna

Repertorio della Scultura Fiorentina del Cinquecento

Edited by Pratesi G.
Biografie a cura di Nicoletta Pons.
Torino, 2003; 3 vols., bound in a case, pp. 795, ill., cm 21x30,5.
(Archivi di Arte Antica).

FREE (cover price: € 350.00)

Repertorio della Scultura Fiorentina del Cinquecento

chiudi

Nino Costa (1826-1903). Transnational Exchange in European Landscape Painting

Silvana Editoriale

Edited by Bernstorff M. V.
English Text.
Cinisello Balsamo, 2016; clothbound, pp. 256, 113 b/w ill., 88 col. ill., cm 23x31.
(Studi della Bibliotheca Hertziana).

series: Studi della Bibliotheca Hertziana

ISBN: 88-366-3384-6 - EAN13: 9788836633845

Subject: Essays (Art or Architecture),Monographs (Painting and Drawing),Painting

Period: 1800-1960 (XIX-XX) Modern Period,1960- Contemporary Period

Places: Latium

Languages:  english text  

Weight: 1.76 kg


The Roman landscape painter Nino Costa was one of the most international Italian painters of his time and an inspiration to compatriots and non-Italian artists alike. This first monograph on him provides valuable insights into his life, his poetic art, and the seminal role he played at the center of a lively international network of artists.
Dissatisfied with the traditional approaches of Italian academic painters, Costa turned to the international artist community of his native Rome for inspiration. At first, Costa looked to the painters following Jean-Baptiste Corot's poetic approach to realism and then further developed his art working in close contact with English colleagues such as George Mason and Frederic Leighton. A patriot as well as a painter, Costa fought for both the unification of Italy and for a reinvigorated art that appropriately represented his homeland. Alongside his call for a new approach to national art, Costa continued to develop his own artistic practice within a cosmopolitan circle.
As well as tracing the history of Costa's life, this monograph pays particular attention to the cultural contexts of his French, Swiss, German, Italian and English colleagues, an approach that underscores his role as a transnational artist and a catalyst for change in nineteenth-century European landscape painting.

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