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DEAL OF THE DAY

Arturo Martini. I capolavori

Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.

cover price: € 33.00

Arturo Martini. I capolavori

Total price: € 33.00 € 97.00 add to cart carrello

Books included in the offer:

Arturo Martini. I capolavori

Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.

FREE (cover price: € 33.00)

Arturo Martini. I capolavori

Studi su Arturo Martini. Per Ofelia

Edited by Matteo Ceriana and Claudia Gian Ferrari.
Milano, Atti del Covegno, 19 maggio 2008.
Milano, 2009; paperback, pp. 136, 97 b/w ill., cm 17x24.

FREE (cover price: € 29.00)

Studi su Arturo Martini. Per Ofelia

Canova. L'invenzione della gloria. Disegni, dipinti e sculture.

Genova, Palazzo Reale, April 16 - July 24, 2016.
Edited by Giuliana Ericani and Franceasco Leone.
Roma, 2016; paperback, pp. 306, col. ill., col. plates, cm 23x30.

FREE (cover price: € 35.00)

Canova. L'invenzione della gloria. Disegni, dipinti e sculture.

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Brunelleschi's Basilica. The building of Santo Spirito in Florence

Libreria Editrice Viella

English Text.
Roma, 2020; paperback, pp. 294, col. ill., cm 17x24.
(Kent State University European Studies. 7).

series: Kent State University European Studies

ISBN: 88-3313-473-3 - EAN13: 9788833134734

Subject: History of Architecture,Religious Architecture/Art

Period: 1000-1400 (XII-XIV) Middle Ages,1400-1800 (XV-XVIII) Renaissance

Places: Florence,Tuscany

Extra: Religion Art

Languages:  english text  

Weight: 0.96 kg


Brunelleschi's basilica of Santo Spirito in Florence was not only a product of creative genius, but also of communal bureaucracy, socio-economic traditions, human and financial resources, factionalism, and rivalry. This complex network of forces behind the monument serves as testimony to the determination and capacity of Renaissance Florentines to actualize the creative ideas of the extraordinary artists and architects who were transforming the profile of the city. Moreover, it reveals that the labor, spirit, and energy of those human beings who were building Renaissance Florence were just as important to its manufacture as the brick, stone and wood used to build it. By investigating those aspects that defined the building tradition of the Renaissance - the architect, the Opera (building committee), the quartiere (neighborhood), the cantiere (worksite and workforce) - we discover that behind a great monument lies a monumental account of collective human achievement.

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