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DEAL OF THE DAY

Arturo Martini. I capolavori

Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.

cover price: € 33.00

Arturo Martini. I capolavori

Total price: € 33.00 € 97.00 add to cart carrello

Books included in the offer:

Arturo Martini. I capolavori

Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.

FREE (cover price: € 33.00)

Arturo Martini. I capolavori

Studi su Arturo Martini. Per Ofelia

Edited by Matteo Ceriana and Claudia Gian Ferrari.
Milano, Atti del Covegno, 19 maggio 2008.
Milano, 2009; paperback, pp. 136, 97 b/w ill., cm 17x24.

FREE (cover price: € 29.00)

Studi su Arturo Martini. Per Ofelia

Canova. L'invenzione della gloria. Disegni, dipinti e sculture.

Genova, Palazzo Reale, April 16 - July 24, 2016.
Edited by Giuliana Ericani and Franceasco Leone.
Roma, 2016; paperback, pp. 306, col. ill., col. plates, cm 23x30.

FREE (cover price: € 35.00)

Canova. L'invenzione della gloria. Disegni, dipinti e sculture.

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Roman art. An american's view on ancient roman art

Di Renzo

Italian and English Text.
Roma, 2018; paperback, pp. 128, b/w ill., cm 15x21.

ISBN: 88-8323-357-3 - EAN13: 9788883233579

Subject: Essays (Art or Architecture),Essays on Ancient Times

Period: 0-1000 (0-XI) Ancient World

Places: Rome

Languages:  english, italian text   english, italian text  

Weight: 0.2 kg


This volume focuses on the analysis of the beholder's active share in the reception of works of visual art, whereby their meaning is shaped and appropriated by viewers of the time of creation, and subsequently. Therefore, the study of artworks in and through history, their careful visual apprehension, and their exposition, both orally in teaching and in writing to a larger public, constitute a seamless web of interactive functions, fundamental to the role of art historian. In that capacity, the visual delight and stimulation offered to the eye and mind transcend personal experience, without which there cannot be any valid interpretative activity, and imposes on that experience the need to share it in a disciplined, well-founded manner with others. Perhaps it is that motive that so energized Brilliant's writing: to be so attentive to the stories told to make sense of the world, and to the images of ourselves, provided by us in person and portrayed by artists that establish the realities of our social existence and make them worthy of consideration.

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