De Nittis e la rivoluzione dello sguardo.
Ferrara, Palazzo dei Diamanti, December 1, 2019 - April 13, 2020.
Edited by Pacelli M. L., Guidi B. and Pinet Hélène.
Translation by Archer M.
Ferrara, 2019; bound, pp. 288, col. ill., cm 24x29.
cover price: € 48.00
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Books included in the offer:
De Nittis e la rivoluzione dello sguardo.
Ferrara, Palazzo dei Diamanti, December 1, 2019 - April 13, 2020.
Edited by Pacelli M. L., Guidi B. and Pinet Hélène.
Translation by Archer M.
Ferrara, 2019; bound, pp. 288, col. ill., cm 24x29.
FREE (cover price: € 48.00)
De Nittis. Peppino e il ventaglio magico
Roma, chiostro del Bramante, November 13, 2004 - February 27, 2005.
Milano, Fondazione Antonio Mazzotta, primavera 2005.
Milano, 2005; bound, pp. 100, ill., cm 16x22.
(Ragazzi).
FREE (cover price: € 14.00)
Donna. Immagini del femminile da Boldini a oggi
Pescara, Museo d'Arte Moderna Vittoria Colonna, October 20, 2005 - January 23, 2006.
Milano, 2005; paperback, pp. 120, ill., cm 23x27.
(Biblioteca d'Arte).
FREE (cover price: € 28.00)
Firenze capitale (1865-2015). I doni e le collezioni del Re
Firenze, Galleria d'Arte Moderna - Appartamento della Duchessa d' Aosta, November 19, 2015 - April 3, 2016.
Edited by Condemi S.
Livorno, 2015; paperback, pp. 351, b/w and col. ill., b/w and col. plates, cm 24,5x28,5.
FREE (cover price: € 30.00)
Galleria Vittorio Emanuele
Rey Daniel
Idea Books
Translation by Larson W. O.
Italian and English Text.
Viareggio, 2006; paperback, pp. 160, col. plates, cm 27,5x36,5.
ISBN: 88-88033-49-1 - EAN13: 9788888033495
Subject: Civil Architecture/Art,Essays (Art or Architecture),Photography,Sculpture,Towns
Period: 1400-1800 (XV-XVIII) Renaissance,1800-1960 (XIX-XX) Modern Period,1960- Contemporary Period
Places: Lombardy,Milan
Languages:
Weight: 1.986 kg
For well over a century now, Galleria Vittorio Emanuele II - symbolic monument to life in the city of Milan - has been the place that refelcts the moods and sounds of the city, and that conserves the memory of the restless spirit of the Scapigliatura artistic movement, the aesthetic flowering of Futurism, the rebellious marches of social protest, the frondeur wind of Fascism.. Moments of passions, explosions of joy and grief.
Defined from time to time as "Souk of the Western World", "Grand Bazaar of an Arab City", "Monument to the Ephemeral" and "Pantheon of Light and Shade" in its early years Galleria Vittorio Emanuele II, creature of Giuseppe Mengoni, was the target of barbed remarks.
And yet, in the collective imagination of the local community it is the lobby of La Scala, the proscenium of the Duomo, the place that in a heart covered with marble - the Octagon - contains the courtesy, virtues and whims of its identity.










