Boldini e la Moda.
Ferrara, Palazzo dei Diamanti, February 16 - June 2, 2019.
Edited by Barbara Guidi and Guidi B.
Translation by Archer M.
Contributions by Virginia Hill.
Ferrara, 2019; bound, pp. 296, b/w and col. ill., cm 24x28.
cover price: € n.d.
|
Books included in the offer:
Boldini e la Moda.
Ferrara, Palazzo dei Diamanti, February 16 - June 2, 2019.
Edited by Barbara Guidi and Guidi B.
Translation by Archer M.
Contributions by Virginia Hill.
Ferrara, 2019; bound, pp. 296, b/w and col. ill., cm 24x28.
FREE (cover price: € n.d.)
Le nuove boutique. Moda e design
Translation by Barcatta L.
Viareggio, 2005; bound, pp. 189, col. ill., col. plates, cm 24,5x29.
FREE (cover price: € 43.00)
Donna. Immagini del femminile da Boldini a oggi
Pescara, Museo d'Arte Moderna Vittoria Colonna, October 20, 2005 - January 23, 2006.
Milano, 2005; paperback, pp. 120, ill., cm 23x27.
(Biblioteca d'Arte).
FREE (cover price: € 28.00)
Miss Bell. Un dipinto di Giovanni Boldini nel Museo delle raccolte Frugone di Genova
Edited by Giubilei M. F. and Maione S.
Illustrations by Scuderi L.
Montecatini Terme, 2007; paperback, pp. 40, ill., cm 15x21.
(Sogno Intorno all'Opera. 8).
FREE (cover price: € 12.00)
Alta Moda, Grande Teatro
Torino, Venaria Reale, March 29 - September 14, 2014.
Edited by Capella M.
Torino, 2014; bound, pp. 184, b/w and col. ill., tavv., cm 17,5x25.
FREE (cover price: € 22.00)
Vitali Stesin. Vermessen von Raum und Zeit. Measuring of space and time
Reifenscheid Beate
Silvana Editoriale
Koblenz, Ludwig Museum, September 12 - October 20, 2010.
Edited by Reifenscheid B.
English and German Text.
Cinisello Balsamo, 2010; paperback, pp. 144, 80 col. ill., 80 col. plates, cm 23x28.
ISBN: 88-366-1790-5 - EAN13: 9788836617906
Subject: Collections,Essays (Art or Architecture),Graphic Arts (Prints, Drawings, Engravings, Miniatures),Monographs (Painting and Drawing),Painting
Period: 1800-1960 (XIX-XX) Modern Period,1960- Contemporary Period
Languages:
Weight: 0.92 kg
The work of Vitali Stesin is almost unknown in contemporary art, although it should take a unique place in consideration to its meaning. His works can hardly be compared to any other artist, barely any analogy exists here. Over the past 40 years he developed his personal artistic style.
His use of form, in which abstract symbols and concrete figures join together in a unique symbiosis, can be traced back to the European Constructivism and develops unique structures that appear to have an architectural touch.
His drawings, watercolours, gouaches, and oil paintings testify a sensitive pictorial quality, which is being expressed through the condensed abstract use of form.
The catalogue features 50 paintings and 50 drawings as well as a few small wooden sculptures, and it includes texts by Wolfgang Schlott (East Europe Institute in Bremen), and Peter Spielmann, curator and expert on Russian Non-Conformism.