Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
cover price: € 160.00
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Books included in the offer:
Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
FREE (cover price: € 160.00)
Le botteghe del marmo
Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).
FREE (cover price: € 34.49)
Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo
Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).
FREE (cover price: € 30.00)
Bronzetti e Rilievi dal XV al XVIII Secolo
Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.
FREE (cover price: € 90.00)
The Hand of Palladio
Portoghesi Paolo - Capellini Lorenzo
Umberto Allemandi & C.
English Text.
Torino, 2008; clothbound, pp. 264, 92 b/w ill., col. plates, cm 24,5x34.
(Archives of architecture).
ISBN: 88-422-1680-1 - EAN13: 9788842216803
Subject: Architects and their Practices,Essays (Art or Architecture)
Period: 1400-1800 (XV-XVIII) Renaissance
Languages:
Weight: 1.77 kg
The text traces all of Palladio's life story, the start of his career as a stone-cutter, then his works (the villas and palaces, the theatre and the churches), his building types and models, his studies on the architectural orders, the theme of the loggia and the role played by decoration, his passion for numbers and proportion, the connection between architecture and music, his capacity to think of a building in ideal terms, the technique of the intersection of spaces, stone and plastered brick (marmorino), the building site, defeats and his great (but late) success, the myth created by a generation that had not personally known him.
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