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DEAL OF THE DAY

Beato Angelico

Firenze, Palazzo Strozzi, September 26, 2025 - January 25, 2026.
Edited by Carl Brandon Strehlke.
Testi di Stefano Casciu, Marco Mozzo, Angelo Tartuferi.
Venezia, 2025; bound, pp. 456, 300 col. ill., cm 24x29.

cover price: € 80.00

Beato Angelico

Total price: € 80.00 € 189.00 add to cart carrello

Books included in the offer:

Beato Angelico

Firenze, Palazzo Strozzi, September 26, 2025 - January 25, 2026.
Edited by Carl Brandon Strehlke.
Testi di Stefano Casciu, Marco Mozzo, Angelo Tartuferi.
Venezia, 2025; bound, pp. 456, 300 col. ill., cm 24x29.

FREE (cover price: € 80.00)

Beato Angelico

Marche e Toscana. Terre di grandi maestri tra Quattro e Seicento

Ospedaletto, 2007; bound, pp. 320, col. ill., col. plates, cm 25,5x29.

FREE (cover price: € 77.00)

Marche e Toscana. Terre di grandi maestri tra Quattro e Seicento

Segni dell'Eucarestia

Edited by M. Luisa Polichetti.
Ancona, Osimo, Loreto Jesi, Senigallia, Fabriano e Metelica, 23 giugno - 31 ottobre 2011.
Torino, 2011; paperback, pp. 221, b/w and col. ill., cm 24x28.

FREE (cover price: € 32.00)

Segni dell'Eucarestia

chiudi

Athos Casarini futurista (1883-1917)

Abacus srl

Bologna, Palazzo di Re Enzo e del Podestà, 4 dicembre 2003 - 7 marzo 2004.
Bologna, 2003; paperback, pp. 192, col. ill., col. plates, cm 23x26.

ISBN: 88-88566-01-5 - EAN13: 9788888566016

Subject: Essays (Art or Architecture),Monographs (Painting and Drawing)

Period: 1800-1960 (XIX-XX) Modern Period,1960- Contemporary Period

Extra: Futurism and Avant-Gardes

Languages:  italian text  

Weight: 1.08 kg


Athos Casarini (Bologna 1883-1917). Bolognese artists have always been part of the avant garde movements of their times and Casarini was certainly one of them. In 1908 he joined his brother in New York who had gone to America five years earlier to work with the 'Progresso Italo-Americano' newspaper. Athos was a talented draughtsman as well as a humorous and satirical illustrator and worked with the 'Post Dispatch' and the 'New York World'. His brilliant sarcastic attacks on the American privileged classes led Marinetti to call him as the 'Italian Futurist Painter in America'. He was also the first to think of including advertising illustrations in the papers he worked for. He was in regular contact by letter with Mario Pozzati, who was already specialising in advertising posters in Bologna. With the outbreak of the First World War, he returned to Italy to join up a volunteer (he was a sub-lieutenant) and died in the battle on the Carso on September 12th 1917. He was one of the most perspicacious, witty and amusing satirical innovators of his time. We could say that his perfect comprehension of the 20th century made him the father of modern advertising posters.

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design e realizzazione: Vincent Wolterbeek / analisi e programmazione: Rocco Barisci