Perugino e il Suo Tempo. "Il Meglio Maestro d'Italia"
Perugia, Galleria Nazionale dell'Umbria, March 4 - June 11, 2023.
Edited by Picchiarelli V. and Pierini M.
Milano, 2023; bound, pp. 592, 650 col. ill., cm 24x21.
cover price: € 40.00
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Books included in the offer:
Perugino e il Suo Tempo. "Il Meglio Maestro d'Italia"
Perugia, Galleria Nazionale dell'Umbria, March 4 - June 11, 2023.
Edited by Picchiarelli V. and Pierini M.
Milano, 2023; bound, pp. 592, 650 col. ill., cm 24x21.
FREE (cover price: € 40.00)
Michele Rocca e la pittura rococo a Roma
Brescia, 2004; bound in a case, pp. 310, b/w and col. ill., tavv., cm 24,5x31,5.
FREE (cover price: € 180.00)
Cucinare per gli amici
Translation by S. Mancuso.
Milano, 2012; clothbound, pp. 269, ill., cm 21x26,5.
(Gli Illustrati).
FREE (cover price: € 29.90)
Geometria figurativa. Figurative Geometry
Nickas Bob
Silvana Editoriale
Reggio Emilia, Collezione Maramotti, October 16, 2016 - April 2, 2017.
Translation by Bergamin A.
Italian and English Text.
Cinisello Balsamo, 2017; paperback, pp. 128, 120 col. ill., cm 30x25,5.
(Arte).
series: Arte
ISBN: 88-366-3680-2 - EAN13: 9788836636808
Subject: Collections,Essays (Art or Architecture),Painting,Sculpture
Period: 1960- Contemporary Period
Languages:
Weight: 1.225 kg
To these ends, geometry and figuration are intermingled;
shapes are shifted, geometry bends around itself, patterns emerge, while figuration refers to bodies in space-bodies which come forward and recede-as well as to numbers and their temporal register, to the number, for example, of seconds in a day.
Time is also one of the subjects at hand. All of these works have been hand-painted, in some cases wet-into-wet, having to be completed in a single session. The brushstroke itself, amplified and performing to the scale and volume of the picture plane, has duration.
Whether revealing their contents gradually or seemingly in an instant, an element of time exists between the image and its reception, between the viewer and the work.
The works in this book, even the most abstract in appearance, perhaps these most of all, can be seen to represent the act of looking, on the parts of both the artist and the viewer.









