Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
cover price: € 160.00
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Books included in the offer:
Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
FREE (cover price: € 160.00)
Le botteghe del marmo
Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).
FREE (cover price: € 34.49)
Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo
Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).
FREE (cover price: € 30.00)
Bronzetti e Rilievi dal XV al XVIII Secolo
Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.
FREE (cover price: € 90.00)
Piazze di Toscana. Squares of Tuscany
Naldi Alessandro
Editori dell'Acero
Italian and English Text.
Empoli, 2005; bound, pp. 240, 210 col. ill., cm 24x32.
(Antiche Mura di Toscana).
series: Antiche Mura di Toscana
ISBN: 88-86975-46-5 - EAN13: 9788886975469
Subject: Essays (Art or Architecture),Photography,Regions and Countries,Urbanism
Period: All Periods
Places: Tuscany
Languages:
Weight: 1.92 kg
Each square has its own soul, a spirit which has animated its creation, mostly gradually during the years and often in the course of the centuries. More often than not these squares were born in order to satisfy basic needs and only later they were redesigned, perfected and arranged accordingto inspirations which reflect anyway the ten-dency to harmony (at times more poetical, other times more ratio-nal) which is present in the human spirit and which expresses itself in the effort to transform and sublimate the fatigue and difficulties of every day.
Therefore, a peculiar beauty seems to emerge especially when inventiveness, genius and a lively imagination have been able to transform the most 'difficult' places - narrow, steep, irregular and full of natural obstacles - by using shapes that have aunique and unrepeatable charm precisely because they have overcome these dif-ficulties - adapting themselves, respecting and exalting the course and the peculiarity of the nature of the places themselves.










