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DEAL OF THE DAY

Giorgio De Chirico. Il volto della metafisica.

Genova, Palazzo Ducale, March 29 - July 7, 2019.
Edited by Noel-Johnson V.
Milano, 2019; bound, pp. 246, col. ill., cm 24x29.
(Arte Moderna. Cataloghi).

cover price: € n.d.

Giorgio De Chirico. Il volto della metafisica.

Total price: € 35.00 € 141.00 add to cart carrello

Books included in the offer:

Giorgio De Chirico. Il volto della metafisica.

Genova, Palazzo Ducale, March 29 - July 7, 2019.
Edited by Noel-Johnson V.
Milano, 2019; bound, pp. 246, col. ill., cm 24x29.
(Arte Moderna. Cataloghi).

FREE (cover price: € n.d.)

Giorgio De Chirico. Il volto della metafisica.

Giorgio de Chirico. Nulla Sine Tragoedia Gloria

Atti del Convegno Internazionale di Studi - Auditorium Dell'Iri, Roma, October 15 - October 16, 1999.
Edited by Claudio Crescentini and Crescentini C.
Co-Editore: Associazione Culturale Shakespeare and Company 2.
Montecatini Terme, 2002; paperback, pp. 504, 188 b/w ill., 21 col. plates, cm 21x30.
(Shakespeare and Company. 2).

FREE (cover price: € 75.00)

Giorgio de Chirico. Nulla Sine Tragoedia Gloria

Mutazioni. Segni e sogni del XX secolo. Da de Chirico a de Maria

Gavirate, Chiostro di Voltorre, February 23 - April 27, 2003.
Milano, 2003; paperback, pp. 108, ill., tavv., cm 16x22,5.
(Biblioteca d'Arte).

FREE (cover price: € 18.00)

Mutazioni. Segni e sogni del XX secolo. Da de Chirico a de Maria

Georges Rouault, Giorgio De Chirico

Mosummano Terme, Villa Renatico Martini, November 23, 2003 - February 15, 2004.
Lyon, La Spirale, October 4 - October 31, 2004.
Edited by Cassinelli P., Giori M. and Viggiano D.
Italian and French Text.
Ospedaletto, 2004; paperback, pp. 150, b/w ill., b/w plates, cm 17x24.

FREE (cover price: € 13.00)

Georges Rouault, Giorgio De Chirico

chiudi

Naked Architecture

Skira

English Text.
Milano, 2012; paperback, pp. 320, 340 col. ill., 340 col. plates, cm 16,5x21.

ISBN: 88-572-0472-3 - EAN13: 9788857204727

Subject: Architects and their Practices

Languages:  english text  

Weight: 0.9 kg


An account of one of the most interesting phenomena of contemporary architecture: the return to the structure and methods with which contemporary constructions are realized.
Over the last ten years architecture would seem to have rediscovered engineering.
Now that the Postmodern period, in which the structure of buildings was camouflaged by coverings of every kind, has passed, architecture today seems to have undressed, almost as though wishing to show how it is made (and to render this spectacular).
On the other hand, the rediscovery in recent years of plastic form has brought about a closer relationship between architects and engineers. In the wake of the phenomenon that is the work of Santiago Calatrava, figures of engineer-architects have emerged such as Cecil Balmond, Sasaki and Guy Nordenson, who have been able to give a strongly "engineering-oriented" guise to ever more complex building sites.
To this we must add the rise of new issues, such as that of environmental engineering, which has changed from being a specifically technical sphere to one of many other realms of knowledge, not least the aesthetic.
If, therefore, there is a phenomenon today that is able to hold together the various expressions of contemporary architecture, it is precisely this return to the structure and methods with which it is realized

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