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DEAL OF THE DAY

Felice Palma. Massa 1583-1625. Collezione / Collection.

Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).

cover price: € 160.00

Felice Palma. Massa 1583-1625. Collezione / Collection.

Total price: € 160.00 € 314.49 add to cart carrello

Books included in the offer:

Felice Palma. Massa 1583-1625. Collezione / Collection.

Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).

FREE (cover price: € 160.00)

Felice Palma. Massa 1583-1625. Collezione / Collection.

Le botteghe del marmo

Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).

FREE (cover price: € 34.49)

Le botteghe del marmo

Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo

Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).

FREE (cover price: € 30.00)

Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo

Bronzetti e Rilievi dal XV al XVIII Secolo

Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.

FREE (cover price: € 90.00)

Bronzetti e Rilievi dal XV al XVIII Secolo

chiudi

Serendipity. Fotografie 2000-2010

Skira

Milano, GALLERIA ANTONIA JANNONE, September 23 - October 16, 2010.
Milano, 2010; paperback, pp. 72, cm 27x22.
(Fotografia).

series: Fotografia

ISBN: 88-572-0764-1 - EAN13: 9788857207643

Subject: Photography

Languages:  italian text  

Weight: 0.67 kg


Landscape was born when man stopped considering himself part of nature: it then became nature's landscape transformed by culture, a palimpsest of progressive cultural transformations and signs of man incorporated from creation. In western art, it was only with the advent of modernity that landscapes, originally mere backgrounds, become subjects of painting. In Carlo Modesti's photographs you can see environments redirected, but not cancelled by human activity. But the particular work on nature that he undertakes is the construction of his inner landscape. For Modesti to embrace with the eye means awareness, introspection, action. Never contemplation. Carlo has a gift for finding without having to search: it is serendipity that triggers the mechanism.

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