Boldini e la Moda.
Ferrara, Palazzo dei Diamanti, February 16 - June 2, 2019.
Edited by Barbara Guidi and Guidi B.
Translation by Archer M.
Contributions by Virginia Hill.
Ferrara, 2019; bound, pp. 296, b/w and col. ill., cm 24x28.
cover price: € n.d.
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Books included in the offer:
Boldini e la Moda.
Ferrara, Palazzo dei Diamanti, February 16 - June 2, 2019.
Edited by Barbara Guidi and Guidi B.
Translation by Archer M.
Contributions by Virginia Hill.
Ferrara, 2019; bound, pp. 296, b/w and col. ill., cm 24x28.
FREE (cover price: € n.d.)
Le nuove boutique. Moda e design
Translation by Barcatta L.
Viareggio, 2005; bound, pp. 189, col. ill., col. plates, cm 24,5x29.
FREE (cover price: € 43.00)
Donna. Immagini del femminile da Boldini a oggi
Pescara, Museo d'Arte Moderna Vittoria Colonna, October 20, 2005 - January 23, 2006.
Milano, 2005; paperback, pp. 120, ill., cm 23x27.
(Biblioteca d'Arte).
FREE (cover price: € 28.00)
Miss Bell. Un dipinto di Giovanni Boldini nel Museo delle raccolte Frugone di Genova
Edited by Giubilei M. F. and Maione S.
Illustrations by Scuderi L.
Montecatini Terme, 2007; paperback, pp. 40, ill., cm 15x21.
(Sogno Intorno all'Opera. 8).
FREE (cover price: € 12.00)
Alta Moda, Grande Teatro
Torino, Venaria Reale, March 29 - September 14, 2014.
Edited by Capella M.
Torino, 2014; bound, pp. 184, b/w and col. ill., tavv., cm 17,5x25.
FREE (cover price: € 22.00)
Lucio Fontana. At the Roots of Spatialism
Miracco Renato
Gangemi Editore
Milano, October 26 - November 26, 2006.
Roma, 2006; bound, pp. 128, ill., cm 22x31,5.
(Arte, Disegno, Rilievo, Design).
series: Arte, Disegno, Rilievo, Design
ISBN: 88-492-1118-X - EAN13: 9788849211184
Subject: Collections,Essays (Art or Architecture),Monographs (Painting and Drawing)
Period: 1800-1960 (XIX-XX) Modern Period,1960- Contemporary Period
Languages:
Weight: 0.95 kg
His relentless investigation began in the thirties and continued for the rest of his life; it focused on finding dimensions, "spaces" and new shapes.
Yet despite all this, it took a long time for Lucio Fontana's work to capture the attention of the discerning American public, initially enthralled by the European modernism of the French school. This is one reason why today, while the Solomon R. Guggenheim Museum in New York is exhibiting the magnificent rare body of works, "Venice/New York," we are pleased to present to the same public a selection of works illustrating the progress and evolution of Fontana's research on signs and matter. The exhibition combines his aperture towards the modern movement while he was in South America with his works inspired by the atmosphere in Milan based, so to speak, on metaphysical considerations and the practical application of his studies and interiors or on the everyday aesthetics represented by the world of fashion. Finally, I would like to draw attention to the remarkable and unique photographs of Lucio Fontana, chosen and kindly donated by a close friend of the artist, Giuseppe Loy, a photographer whose archives have yet to be fully exploited.