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DEAL OF THE DAY

Beato Angelico

Firenze, Palazzo Strozzi, September 26, 2025 - January 25, 2026.
Edited by Carl Brandon Strehlke.
Testi di Stefano Casciu, Marco Mozzo, Angelo Tartuferi.
Venezia, 2025; bound, pp. 456, 300 col. ill., cm 24x29.

cover price: € 80.00

Beato Angelico

Total price: € 80.00 € 189.00 add to cart carrello

Books included in the offer:

Beato Angelico

Firenze, Palazzo Strozzi, September 26, 2025 - January 25, 2026.
Edited by Carl Brandon Strehlke.
Testi di Stefano Casciu, Marco Mozzo, Angelo Tartuferi.
Venezia, 2025; bound, pp. 456, 300 col. ill., cm 24x29.

FREE (cover price: € 80.00)

Beato Angelico

Marche e Toscana. Terre di grandi maestri tra Quattro e Seicento

Ospedaletto, 2007; bound, pp. 320, col. ill., col. plates, cm 25,5x29.

FREE (cover price: € 77.00)

Marche e Toscana. Terre di grandi maestri tra Quattro e Seicento

Segni dell'Eucarestia

Edited by M. Luisa Polichetti.
Ancona, Osimo, Loreto Jesi, Senigallia, Fabriano e Metelica, 23 giugno - 31 ottobre 2011.
Torino, 2011; paperback, pp. 221, b/w and col. ill., cm 24x28.

FREE (cover price: € 32.00)

Segni dell'Eucarestia

chiudi

Lorenzo e Jacopo Salimbeni. Vicende e Protagonisti della Pittura Tardogotica nelle Marche e in Umbria

Lorenzo e Jacopo Salimbeni. Vicende e Protagonisti della Pittura Tardogotica nelle Marche e in Umbria

Casa Editrice Leo S. Olschki

Firenze, 2008; bound, pp. 280, 107 b/w ill., 116 col. plates, cm 21,5x32.
(Arte e Aarcheologia. Studi e Documenti. 31).

series: Arte e Aarcheologia. Studi e Documenti.

ISBN: 88-222-5787-1 - EAN13: 9788822257871

Subject: Essays (Art or Architecture),Monographs (Painting and Drawing),Painting

Period: 1000-1400 (XII-XIV) Middle Ages,1400-1800 (XV-XVIII) Renaissance

Places: Umbria and Marche

Languages: italian text  

Weight: 1.88 kg


This monograph re-examines the work of Europe's leading artists in the International Gothic style, who were active in the Marche and Umbria regions in the first two decades of the 15th century. The copiously illustrated volume examines the entire pictorial corpus, culminating in the sumptuous decoration of St. John's Oratory in Urbino. It also offers a new consideration of the Salimbeni brothers in the context of their relationships with major exponents of Late Gothic painting in Central Italy.

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