LATEST ART BOOKS
Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
cover price: € 160.00
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Books included in the offer:
Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
FREE (cover price: € 160.00)
Le botteghe del marmo
Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).
FREE (cover price: € 34.49)
Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo
Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).
FREE (cover price: € 30.00)
Bronzetti e Rilievi dal XV al XVIII Secolo
Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.
FREE (cover price: € 90.00)
Shining Dark Territories. 100 Thoughts of Architecture. Ediz. Italiana e Inglese
Melis Alessandro. Gasperini Massimo
Edizioni ETS
Translation by Ceccarelli D., Swenson R. and Taylor C.
Italian and English Text.
Pisa, 2015; paperback, pp. 188, b/w ill., cm 21x15.
(The Sense of Drawing. La Ragione del Disegno. 1).
series: The Sense of Drawing. La Ragione del Disegno
ISBN: 88-467-4153-6 - EAN13: 9788846741530
Subject: Essays (Art or Architecture),Graphic Arts (Prints, Drawings, Engravings, Miniatures),Urbanism
Period: 1960- Contemporary Period
Languages: 
Weight: 0.32 kg
Since ancient times, man's work has changed the landscape sometimes in harmony with ecosystems, often in antagonism.
The relationship between dissonances and symmetries, distances and alignments marks a path between reality, imagination and utopia in which the artefact is integrated into the surrounding space - the contamination becoming a simulacrum - and interferes with it taking on the iconic forms of architecture.
The design is a seismograph which allows the architect to perceive the physical-visual 'vibrations' of the real and mental landscapes.
The work of Massimo Gasperini studies and generates fabric and interferences of the current scenario.
The work of Alessandro Melis investigates the hypothetical future scenarios, in which the relationship between the opposite elements produces paroxysmal and dystopian visions.
