Italia Cinquanta moda e design. Nascita di uno stile
Gorizia, Palazzo Attems Petzenstein, March 21 - August 27, 2023.
Edited by Raffaella Sgubin, Carla Cerutti and Enrico Minio Capucci.
Cornuda, 2023; hardback, pp. 336, col. ill., cm 20x26.
cover price: € 33.00
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Books included in the offer:
Italia Cinquanta moda e design. Nascita di uno stile
Gorizia, Palazzo Attems Petzenstein, March 21 - August 27, 2023.
Edited by Raffaella Sgubin, Carla Cerutti and Enrico Minio Capucci.
Cornuda, 2023; hardback, pp. 336, col. ill., cm 20x26.
FREE (cover price: € 33.00)
Parodie del design. Scritti critici e polemici
Torino, 2008; paperback, pp. 94, 8 b/w ill., cm 12,5x19,5.
FREE (cover price: € 12.00)
Moda e modi. Stile e costume in Italia 1900-1960
Arezzo, Basilica di San Francesco, March 24 - November 4, 2018.
Roma, 2018; paperback, pp. 96, col. ill., cm 21,5x21,5.
FREE (cover price: € 25.00)
Gli italiani e la moda. 1860-1960
Stra, Museo Nazionale di Villa Pisani, April 8 - November 1, 2017.
Edited by Alberto Manodori Sagredo.
Roma, 2017; paperback, pp. 94, b/w ill., cm 16x23.
FREE (cover price: € 15.00)
Corpus Rubenianum Ludwig Burchard. XXVIII. Drawings Unrelated to Known Compositions
McGrath Elizabeth - Nils Büttner - Veronika Korbei - Corina Kleinert - Sanja Hilscher
Harvey Miller Publishers
English Text.
London, 2025; bound, pp. 272, 38 b/w ill., 129 col. ill., cm 17x26.
(Corpus Rubenianum Ludwig Burchard. 28).
series: Corpus Rubenianum Ludwig Burchard
ISBN: 0-905203-78-X - EAN13: 9780905203782
Subject: Collections,Graphic Arts (Prints, Drawings, Engravings, Miniatures)
Period: 1400-1800 (XV-XVIII) Renaissance
Languages:
Weight: 0 kg
Given the nature of the drawings catalogued here, many of which resist iconographic classification, the decision has been made to order the items chronologically, so that they can be seen at least in relation to Rubens's stylistic development.
The present publication is essentially a compilation based on the current state of research on individual items. At the same time it introduces new perspectives on, and suggests a few solutions to, some old problems, as well as shedding light on aspects of Rubens's work that have been largely, and sometimes unjustly, overlooked.










