Giorgio De Chirico. Il volto della metafisica.
Genova, Palazzo Ducale, March 29 - July 7, 2019.
Edited by Noel-Johnson V.
Milano, 2019; bound, pp. 246, col. ill., cm 24x29.
(Arte Moderna. Cataloghi).
cover price: € n.d.
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Books included in the offer:
Giorgio De Chirico. Il volto della metafisica.
Genova, Palazzo Ducale, March 29 - July 7, 2019.
Edited by Noel-Johnson V.
Milano, 2019; bound, pp. 246, col. ill., cm 24x29.
(Arte Moderna. Cataloghi).
FREE (cover price: € n.d.)
Giorgio de Chirico. Nulla Sine Tragoedia Gloria
Atti del Convegno Internazionale di Studi - Auditorium Dell'Iri, Roma, October 15 - October 16, 1999.
Edited by Claudio Crescentini and Crescentini C.
Co-Editore: Associazione Culturale Shakespeare and Company 2.
Montecatini Terme, 2002; paperback, pp. 504, 188 b/w ill., 21 col. plates, cm 21x30.
(Shakespeare and Company. 2).
FREE (cover price: € 75.00)
Mutazioni. Segni e sogni del XX secolo. Da de Chirico a de Maria
Gavirate, Chiostro di Voltorre, February 23 - April 27, 2003.
Milano, 2003; paperback, pp. 108, ill., tavv., cm 16x22,5.
(Biblioteca d'Arte).
FREE (cover price: € 18.00)
Georges Rouault, Giorgio De Chirico
Mosummano Terme, Villa Renatico Martini, November 23, 2003 - February 15, 2004.
Lyon, La Spirale, October 4 - October 31, 2004.
Edited by Cassinelli P., Giori M. and Viggiano D.
Italian and French Text.
Ospedaletto, 2004; paperback, pp. 150, b/w ill., b/w plates, cm 17x24.
FREE (cover price: € 13.00)
Ordinary World. Andy Warhol, Pietro Psaier and the Factory Artworks. Keith Haring, Paolo Buggiani and the Subway Drawings
Maurizio Vanni
Carlo Cambi Editore
Follonica, pinacoteca civica, June 21 - July 29, 2012.
Orbetello, Muse Archeologico "Polveriera Guzman", August 5 - September 2, 2012.
Porto Santo Stefano, Fortezza Spagnola, August 6 - September 2, 2012.
Edited by Maurizio Vanni.
Poggibonsi, 2012; paperback, pp. 87, col. ill., cm 21x24.
ISBN: 88-6403-128-6 - EAN13: 9788864031286
Subject: Collections,Essays (Art or Architecture),Painting
Period: 1960- Contemporary Period
Languages:
Weight: 0.4 kg
Warhol, artist and intellectual who desecrates art, is a symbol himself; Haring penetrates the city through archaic signs, populating and transforming the points of view and denying homologation;
Psaier belongs to the "possible legends" of the Warhol's Factory. Some artists, in fact, had the possibility to paint together with the Master or in his place. The jump toward the performances of Buggiani is the logic interpretative evolution of a personified art that pervades, transforms and burns.
All these artists are the symbol of a society which is now aware of the failure of market and financial logics and which isolates everyone discordant with present-day ideas.










