Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
cover price: € 160.00
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Books included in the offer:
Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
FREE (cover price: € 160.00)
Le botteghe del marmo
Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).
FREE (cover price: € 34.49)
Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo
Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).
FREE (cover price: € 30.00)
Bronzetti e Rilievi dal XV al XVIII Secolo
Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.
FREE (cover price: € 90.00)
Ordinary World. Andy Warhol, Pietro Psaier and the Factory Artworks. Keith Haring, Paolo Buggiani and the Subway Drawings
Maurizio Vanni
Carlo Cambi Editore
Follonica, pinacoteca civica, June 21 - July 29, 2012.
Orbetello, Muse Archeologico "Polveriera Guzman", August 5 - September 2, 2012.
Porto Santo Stefano, Fortezza Spagnola, August 6 - September 2, 2012.
Edited by Maurizio Vanni.
Poggibonsi, 2012; paperback, pp. 87, col. ill., cm 21x24.
ISBN: 88-6403-128-6 - EAN13: 9788864031286
Subject: Collections,Essays (Art or Architecture),Painting
Period: 1960- Contemporary Period
Languages:
Weight: 0.4 kg
Warhol, artist and intellectual who desecrates art, is a symbol himself; Haring penetrates the city through archaic signs, populating and transforming the points of view and denying homologation;
Psaier belongs to the "possible legends" of the Warhol's Factory. Some artists, in fact, had the possibility to paint together with the Master or in his place. The jump toward the performances of Buggiani is the logic interpretative evolution of a personified art that pervades, transforms and burns.
All these artists are the symbol of a society which is now aware of the failure of market and financial logics and which isolates everyone discordant with present-day ideas.










