Beato Angelico
Firenze, Palazzo Strozzi, September 26, 2025 - January 25, 2026.
Edited by Carl Brandon Strehlke.
Testi di Stefano Casciu, Marco Mozzo, Angelo Tartuferi.
Venezia, 2025; bound, pp. 456, 300 col. ill., cm 24x29.
cover price: € 80.00
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Books included in the offer:
Beato Angelico
Firenze, Palazzo Strozzi, September 26, 2025 - January 25, 2026.
Edited by Carl Brandon Strehlke.
Testi di Stefano Casciu, Marco Mozzo, Angelo Tartuferi.
Venezia, 2025; bound, pp. 456, 300 col. ill., cm 24x29.
FREE (cover price: € 80.00)
Marche e Toscana. Terre di grandi maestri tra Quattro e Seicento
Ospedaletto, 2007; bound, pp. 320, col. ill., col. plates, cm 25,5x29.
FREE (cover price: € 77.00)
Segni dell'Eucarestia
Edited by M. Luisa Polichetti.
Ancona, Osimo, Loreto Jesi, Senigallia, Fabriano e Metelica, 23 giugno - 31 ottobre 2011.
Torino, 2011; paperback, pp. 221, b/w and col. ill., cm 24x28.
FREE (cover price: € 32.00)
I Neri di Burri
Maurizio Calvesi - Marco Vallora
Edizioni Gabriele Mazzotta
Aqui Terme, Palazzo Liceo Saracco, July 20 - September 14, 2003.
Milano, 2003; paperback, pp. 144, 21 b/w ill., 53 col. ill., cm 21x22.
(Biblioteca d'Arte).
series: Biblioteca d'Arte
ISBN: 88-202-1631-0 - EAN13: 9788820216313
Subject: Essays (Art or Architecture),Monographs (Painting and Drawing)
Period: 1800-1960 (XIX-XX) Modern Period,1960- Contemporary Period
Places: No Place
Languages:
Weight: 0.8 kg
Burri's “blacks” not only represent an obvious attraction to the public but they permit to find another aspect of suggestion and interest within the painter's production. The suggestion aroused by a colour that becomes a protagonist, a lyrical and constructive element of poetic evolution in the long and revolutionary career of Burri. The “black” colour dialogs with the other unique colours of the artist, the fire red, the milky white, burnt earth and plastic. This colour has been chosen, as an emblem of the artist's universe, in order to distinguish this exhibition from the others organized in this venue; though, in the choice of some titles, Burri had already made an allusion to the polemic relevance of the nocturnal element.









