Giorgio De Chirico. Il volto della metafisica.
Genova, Palazzo Ducale, March 29 - July 7, 2019.
Edited by Noel-Johnson V.
Milano, 2019; bound, pp. 246, col. ill., cm 24x29.
(Arte Moderna. Cataloghi).
cover price: € n.d.
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Books included in the offer:
Giorgio De Chirico. Il volto della metafisica.
Genova, Palazzo Ducale, March 29 - July 7, 2019.
Edited by Noel-Johnson V.
Milano, 2019; bound, pp. 246, col. ill., cm 24x29.
(Arte Moderna. Cataloghi).
FREE (cover price: € n.d.)
Giorgio de Chirico. Nulla Sine Tragoedia Gloria
Atti del Convegno Internazionale di Studi - Auditorium Dell'Iri, Roma, October 15 - October 16, 1999.
Edited by Claudio Crescentini and Crescentini C.
Co-Editore: Associazione Culturale Shakespeare and Company 2.
Montecatini Terme, 2002; paperback, pp. 504, 188 b/w ill., 21 col. plates, cm 21x30.
(Shakespeare and Company. 2).
FREE (cover price: € 75.00)
Mutazioni. Segni e sogni del XX secolo. Da de Chirico a de Maria
Gavirate, Chiostro di Voltorre, February 23 - April 27, 2003.
Milano, 2003; paperback, pp. 108, ill., tavv., cm 16x22,5.
(Biblioteca d'Arte).
FREE (cover price: € 18.00)
Georges Rouault, Giorgio De Chirico
Mosummano Terme, Villa Renatico Martini, November 23, 2003 - February 15, 2004.
Lyon, La Spirale, October 4 - October 31, 2004.
Edited by Cassinelli P., Giori M. and Viggiano D.
Italian and French Text.
Ospedaletto, 2004; paperback, pp. 150, b/w ill., b/w plates, cm 17x24.
FREE (cover price: € 13.00)
I Neri di Burri
Maurizio Calvesi - Marco Vallora
Edizioni Gabriele Mazzotta
Aqui Terme, Palazzo Liceo Saracco, July 20 - September 14, 2003.
Milano, 2003; paperback, pp. 144, 21 b/w ill., 53 col. ill., cm 21x22.
(Biblioteca d'Arte).
series: Biblioteca d'Arte
ISBN: 88-202-1631-0 - EAN13: 9788820216313
Subject: Essays (Art or Architecture),Monographs (Painting and Drawing)
Period: 1800-1960 (XIX-XX) Modern Period,1960- Contemporary Period
Places: No Place
Languages:
Weight: 0.8 kg
Burri's “blacks” not only represent an obvious attraction to the public but they permit to find another aspect of suggestion and interest within the painter's production. The suggestion aroused by a colour that becomes a protagonist, a lyrical and constructive element of poetic evolution in the long and revolutionary career of Burri. The “black” colour dialogs with the other unique colours of the artist, the fire red, the milky white, burnt earth and plastic. This colour has been chosen, as an emblem of the artist's universe, in order to distinguish this exhibition from the others organized in this venue; though, in the choice of some titles, Burri had already made an allusion to the polemic relevance of the nocturnal element.










