Antonello da Messina.
Milano, Palazzo Reale, February 21 - June 2, 2019.
Edited by Giovanni Carlo Federico Villa, Cardona C., Villa G. C. F. and Caterina Cardona.
Milano, 2019; bound, pp. 299, 200 col. ill., cm 24x30.
(Arte Antica. Cataloghi).
cover price: € n.d.
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Books included in the offer:
Antonello da Messina.
Milano, Palazzo Reale, February 21 - June 2, 2019.
Edited by Giovanni Carlo Federico Villa, Cardona C., Villa G. C. F. and Caterina Cardona.
Milano, 2019; bound, pp. 299, 200 col. ill., cm 24x30.
(Arte Antica. Cataloghi).
FREE (cover price: € n.d.)
John Dryden, Jr: Un viaggio in Sicilia e a Malta nel 1700-1701
Edited by Portale R.
Introduzione, traduzione e commento a cura di Rosario Portale ("A Voyage to Sicily and Malta". London, 1776).
La Spezia, 1999; paperback, pp. XXXVI-58, ill., 13 numbered out of text col. plates, cm 17x24.
(Viaggi e Viaggiatori in Sicilia. 1).
FREE (cover price: € 15.00)
Ritratto della Sicilia
Edited by Russo S.
La Spezia, 2000; paperback, pp. XXIV-42, ill., cm 16,5x24.
(Viaggi e Viaggiatori in Sicilia. 4).
FREE (cover price: € 20.00)
Lexicon. Storie e architettura in Sicilia. 4. 2007
Palermo, 2007; paperback, pp. 72, b/w and col. ill., cm 21x30.
(Lexicon. Storie e architettura in Sicilia. Rivista semestrale diretta dal prof. Marco Rosario. 4/2007).
FREE (cover price: € 15.00)
Lexicon. Storie e architettura in Sicilia. 5-6. 2007-2008. Dal tardogotico al rinascimento
Palermo, 2008; paperback, pp. 144, b/w ill., cm 21x30.
(Lexicon. Storie e architettura in Sicilia. Rivista semestrale di Storia dell'Architettura. 5-6. 2007-2008).
FREE (cover price: € 30.00)
Maurizio Savini. Forbidden World
Marziani Gianluca
Carlo Cambi Editore
English Text.
Poggibonsi, 1996; hardback, pp. 208, ill., cm 24,5x34.
ISBN: 88-6403-233-9 - EAN13: 9788864032337
Subject: Essays (Art or Architecture),Monographs (Painting and Drawing),Monographs (Sculpture and Decorative Arts)
Period: 1960- Contemporary Period
Languages:
Weight: 1.56 kg
It was not easy to consolidate a mature value with the more sugary and phenomenologically pop colour and, the most childish and womanish among the shades of colour that enliven the flat world of acrylic effect flat ranges.
But the artist has for some time acted symbiotically and controls the flames of engagement, lord of the flame and symbolic holder of a visual ingredient that completes him without limiting him (if you think about it, almost all the great painters have used the same kind of oil paints, the same brushes and canvases for an entire career, which is why I am not surprised - according to Gianluca Marziani's words - when an artist finds a revelatory material, and rather than abandon it, tunes it in with his personal evolution).











