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DEAL OF THE DAY

Beato Angelico

Firenze, Palazzo Strozzi, September 26, 2025 - January 25, 2026.
Edited by Carl Brandon Strehlke.
Testi di Stefano Casciu, Marco Mozzo, Angelo Tartuferi.
Venezia, 2025; bound, pp. 456, 300 col. ill., cm 24x29.

cover price: € 80.00

Beato Angelico

Total price: € 80.00 € 189.00 add to cart carrello

Books included in the offer:

Beato Angelico

Firenze, Palazzo Strozzi, September 26, 2025 - January 25, 2026.
Edited by Carl Brandon Strehlke.
Testi di Stefano Casciu, Marco Mozzo, Angelo Tartuferi.
Venezia, 2025; bound, pp. 456, 300 col. ill., cm 24x29.

FREE (cover price: € 80.00)

Beato Angelico

Marche e Toscana. Terre di grandi maestri tra Quattro e Seicento

Ospedaletto, 2007; bound, pp. 320, col. ill., col. plates, cm 25,5x29.

FREE (cover price: € 77.00)

Marche e Toscana. Terre di grandi maestri tra Quattro e Seicento

Segni dell'Eucarestia

Edited by M. Luisa Polichetti.
Ancona, Osimo, Loreto Jesi, Senigallia, Fabriano e Metelica, 23 giugno - 31 ottobre 2011.
Torino, 2011; paperback, pp. 221, b/w and col. ill., cm 24x28.

FREE (cover price: € 32.00)

Segni dell'Eucarestia

chiudi

Maurizio Savini. Forbidden World

Carlo Cambi Editore

English Text.
Poggibonsi, 1996; hardback, pp. 208, ill., cm 24,5x34.

ISBN: 88-6403-233-9 - EAN13: 9788864032337

Subject: Essays (Art or Architecture),Monographs (Painting and Drawing),Monographs (Sculpture and Decorative Arts)

Period: 1960- Contemporary Period

Languages:  english text  

Weight: 1.56 kg


Talking about an artist starting from the standpoint of a colour, which defines the surface and the internal organs of his articulated visual system. Talking about Maurizio Savini through the plastic geography of the bubble gum pink, a hue that is now his protective and revelatory epidermis, the layer that has identified a linguistic code and an iconographic personality year after year.
It was not easy to consolidate a mature value with the more sugary and phenomenologically pop colour and, the most childish and womanish among the shades of colour that enliven the flat world of acrylic effect flat ranges.
But the artist has for some time acted symbiotically and controls the flames of engagement, lord of the flame and symbolic holder of a visual ingredient that completes him without limiting him (if you think about it, almost all the great painters have used the same kind of oil paints, the same brushes and canvases for an entire career, which is why I am not surprised - according to Gianluca Marziani's words - when an artist finds a revelatory material, and rather than abandon it, tunes it in with his personal evolution).

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