Antonello da Messina.
Milano, Palazzo Reale, February 21 - June 2, 2019.
Edited by Giovanni Carlo Federico Villa, Cardona C., Villa G. C. F. and Caterina Cardona.
Milano, 2019; bound, pp. 299, 200 col. ill., cm 24x30.
(Arte Antica. Cataloghi).
cover price: € n.d.
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Books included in the offer:
Antonello da Messina.
Milano, Palazzo Reale, February 21 - June 2, 2019.
Edited by Giovanni Carlo Federico Villa, Cardona C., Villa G. C. F. and Caterina Cardona.
Milano, 2019; bound, pp. 299, 200 col. ill., cm 24x30.
(Arte Antica. Cataloghi).
FREE (cover price: € n.d.)
John Dryden, Jr: Un viaggio in Sicilia e a Malta nel 1700-1701
Edited by Portale R.
Introduzione, traduzione e commento a cura di Rosario Portale ("A Voyage to Sicily and Malta". London, 1776).
La Spezia, 1999; paperback, pp. XXXVI-58, ill., 13 numbered out of text col. plates, cm 17x24.
(Viaggi e Viaggiatori in Sicilia. 1).
FREE (cover price: € 15.00)
Ritratto della Sicilia
Edited by Russo S.
La Spezia, 2000; paperback, pp. XXIV-42, ill., cm 16,5x24.
(Viaggi e Viaggiatori in Sicilia. 4).
FREE (cover price: € 20.00)
Lexicon. Storie e architettura in Sicilia. 4. 2007
Palermo, 2007; paperback, pp. 72, b/w and col. ill., cm 21x30.
(Lexicon. Storie e architettura in Sicilia. Rivista semestrale diretta dal prof. Marco Rosario. 4/2007).
FREE (cover price: € 15.00)
Lexicon. Storie e architettura in Sicilia. 5-6. 2007-2008. Dal tardogotico al rinascimento
Palermo, 2008; paperback, pp. 144, b/w ill., cm 21x30.
(Lexicon. Storie e architettura in Sicilia. Rivista semestrale di Storia dell'Architettura. 5-6. 2007-2008).
FREE (cover price: € 30.00)
Natino Chirico. Mitologie di un eterno presente
Marziani Gianluca
Carlo Cambi Editore
Poggibonsi, 1996; paperback, pp. 100, col. ill., col. plates, cm 19x23.
ISBN: 88-6403-224-X - EAN13: 9788864032245
Subject: Collections,Essays (Art or Architecture),Monographs (Painting and Drawing),Painting
Period: 1960- Contemporary Period
Languages:
Weight: 0.79 kg
Catalogue and exhibition in Palazzo Collicola Arti Visive begin with the artworks created between the half of the Seventies and the beginning of the Eighties. These paintings show a first artistic strategy, that is to say the lowering of the chromatic temperature and the fragmentation of the figures. Here Chirico excluded the city concept and was fond of all the painting tools, easel, tubes, and so on.
A turn toward the colour arrived shortly after, in the second half the Eighties. The figure opened up to a winding landscape, made of vivid and abstract colours. Than, from a certain moment on, the author focused on the mythologies of the present, on the lightnings illuminating the collective imaginary.











