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DEAL OF THE DAY

Beato Angelico

Firenze, Palazzo Strozzi, September 26, 2025 - January 25, 2026.
Edited by Carl Brandon Strehlke.
Testi di Stefano Casciu, Marco Mozzo, Angelo Tartuferi.
Venezia, 2025; bound, pp. 456, 300 col. ill., cm 24x29.

cover price: € 80.00

Beato Angelico

Total price: € 80.00 € 189.00 add to cart carrello

Books included in the offer:

Beato Angelico

Firenze, Palazzo Strozzi, September 26, 2025 - January 25, 2026.
Edited by Carl Brandon Strehlke.
Testi di Stefano Casciu, Marco Mozzo, Angelo Tartuferi.
Venezia, 2025; bound, pp. 456, 300 col. ill., cm 24x29.

FREE (cover price: € 80.00)

Beato Angelico

Marche e Toscana. Terre di grandi maestri tra Quattro e Seicento

Ospedaletto, 2007; bound, pp. 320, col. ill., col. plates, cm 25,5x29.

FREE (cover price: € 77.00)

Marche e Toscana. Terre di grandi maestri tra Quattro e Seicento

Segni dell'Eucarestia

Edited by M. Luisa Polichetti.
Ancona, Osimo, Loreto Jesi, Senigallia, Fabriano e Metelica, 23 giugno - 31 ottobre 2011.
Torino, 2011; paperback, pp. 221, b/w and col. ill., cm 24x28.

FREE (cover price: € 32.00)

Segni dell'Eucarestia

chiudi

Natino Chirico. Mitologie di un eterno presente

Carlo Cambi Editore

Poggibonsi, 1996; paperback, pp. 100, col. ill., col. plates, cm 19x23.

ISBN: 88-6403-224-X - EAN13: 9788864032245

Subject: Collections,Essays (Art or Architecture),Monographs (Painting and Drawing),Painting

Period: 1960- Contemporary Period

Languages:  italian text  

Weight: 0.79 kg


A retrospective journey through the artistic vision of Natino Chirico, his contemporary mythologies, and his universes turning into calibrated pictorial alchemies. He was born in Reggio Calabria in 1953 and he moved to Rome in 1975; Chirico now lives between Rome and the Umbria region, where he has built a house of spiritual comfort, a place of escape without escapes, a place for an internal journey, a place where the light becomes meditative.
Catalogue and exhibition in Palazzo Collicola Arti Visive begin with the artworks created between the half of the Seventies and the beginning of the Eighties. These paintings show a first artistic strategy, that is to say the lowering of the chromatic temperature and the fragmentation of the figures. Here Chirico excluded the city concept and was fond of all the painting tools, easel, tubes, and so on.
A turn toward the colour arrived shortly after, in the second half the Eighties. The figure opened up to a winding landscape, made of vivid and abstract colours. Than, from a certain moment on, the author focused on the mythologies of the present, on the lightnings illuminating the collective imaginary.

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