Italia Cinquanta moda e design. Nascita di uno stile
Gorizia, Palazzo Attems Petzenstein, March 21 - August 27, 2023.
Edited by Raffaella Sgubin, Carla Cerutti and Enrico Minio Capucci.
Cornuda, 2023; hardback, pp. 336, col. ill., cm 20x26.
cover price: € 33.00
|
Books included in the offer:
Italia Cinquanta moda e design. Nascita di uno stile
Gorizia, Palazzo Attems Petzenstein, March 21 - August 27, 2023.
Edited by Raffaella Sgubin, Carla Cerutti and Enrico Minio Capucci.
Cornuda, 2023; hardback, pp. 336, col. ill., cm 20x26.
FREE (cover price: € 33.00)
Parodie del design. Scritti critici e polemici
Torino, 2008; paperback, pp. 94, 8 b/w ill., cm 12,5x19,5.
FREE (cover price: € 12.00)
Moda e modi. Stile e costume in Italia 1900-1960
Arezzo, Basilica di San Francesco, March 24 - November 4, 2018.
Roma, 2018; paperback, pp. 96, col. ill., cm 21,5x21,5.
FREE (cover price: € 25.00)
Gli italiani e la moda. 1860-1960
Stra, Museo Nazionale di Villa Pisani, April 8 - November 1, 2017.
Edited by Alberto Manodori Sagredo.
Roma, 2017; paperback, pp. 94, b/w ill., cm 16x23.
FREE (cover price: € 15.00)
Remotti di Carta
Marziani Gianluca
Carlo Cambi Editore
Roma, Macro, February 17 - March 30, 2016.
Poggibonsi, 1996; paperback, pp. 132, b/w ill., cm 30x21.
ISBN: 88-6403-218-5 - EAN13: 9788864032184
Subject: Essays (Art or Architecture),Graphic Arts (Prints, Drawings, Engravings, Miniatures),Masterpiece,Monographs (Painting and Drawing)
Period: 1800-1960 (XIX-XX) Modern Period,1960- Contemporary Period
Languages:
Weight: 0.67 kg
Remotti was the atavistic voice of Rome, an archaeological and futurist cry, a militant option between rule and lack of moderation. He was everything and he was the opposite of almost everything, he was the border and the contamination, he was the oral skid, the sacred and the profane, the high and the low parts but also the intermediary, when it is necessary.
An artist writing images without an apparent effort, following the red line of the heart: this book is the proof of that, it is a trip where drawings emotionally sticks to the actor and to the poet. Line and style are the identity document of this original artist, of its organs and his figurative cloths.










