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DEAL OF THE DAY

Arturo Martini. I capolavori

Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.

cover price: € 33.00

Arturo Martini. I capolavori

Total price: € 33.00 € 97.00 add to cart carrello

Books included in the offer:

Arturo Martini. I capolavori

Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.

FREE (cover price: € 33.00)

Arturo Martini. I capolavori

Studi su Arturo Martini. Per Ofelia

Edited by Matteo Ceriana and Claudia Gian Ferrari.
Milano, Atti del Covegno, 19 maggio 2008.
Milano, 2009; paperback, pp. 136, 97 b/w ill., cm 17x24.

FREE (cover price: € 29.00)

Studi su Arturo Martini. Per Ofelia

Canova. L'invenzione della gloria. Disegni, dipinti e sculture.

Genova, Palazzo Reale, April 16 - July 24, 2016.
Edited by Giuliana Ericani and Franceasco Leone.
Roma, 2016; paperback, pp. 306, col. ill., col. plates, cm 23x30.

FREE (cover price: € 35.00)

Canova. L'invenzione della gloria. Disegni, dipinti e sculture.

chiudi

Remotti di Carta

Carlo Cambi Editore

Roma, Macro, February 17 - March 30, 2016.
Poggibonsi, 1996; paperback, pp. 132, b/w ill., cm 30x21.

ISBN: 88-6403-218-5 - EAN13: 9788864032184

Subject: Essays (Art or Architecture),Graphic Arts (Prints, Drawings, Engravings, Miniatures),Masterpiece,Monographs (Painting and Drawing)

Period: 1800-1960 (XIX-XX) Modern Period,1960- Contemporary Period

Languages:  italian text  

Weight: 0.67 kg


Remo Remotti used to write, to drow, to paint, to manipulate, to build, to play, to declaime, to participate... he was an indefinable human entity, he was genetically radical and nonconformist, out of every category but inside the theater of the free voices with an "alcoholic" strenght.
Remotti was the atavistic voice of Rome, an archaeological and futurist cry, a militant option between rule and lack of moderation. He was everything and he was the opposite of almost everything, he was the border and the contamination, he was the oral skid, the sacred and the profane, the high and the low parts but also the intermediary, when it is necessary.
An artist writing images without an apparent effort, following the red line of the heart: this book is the proof of that, it is a trip where drawings emotionally sticks to the actor and to the poet. Line and style are the identity document of this original artist, of its organs and his figurative cloths.

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