Italia Cinquanta moda e design. Nascita di uno stile
Gorizia, Palazzo Attems Petzenstein, March 21 - August 27, 2023.
Edited by Sgubin Raffaella, Carla Cerutti and Enrico Minio Capucci.
Cornuda, 2023; hardback, pp. 336, col. ill., cm 20x26.
cover price: € 33.00
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Books included in the offer:
Italia Cinquanta moda e design. Nascita di uno stile
Gorizia, Palazzo Attems Petzenstein, March 21 - August 27, 2023.
Edited by Sgubin Raffaella, Carla Cerutti and Enrico Minio Capucci.
Cornuda, 2023; hardback, pp. 336, col. ill., cm 20x26.
FREE (cover price: € 33.00)
Parodie del design. Scritti critici e polemici
Torino, 2008; paperback, pp. 94, 8 b/w ill., cm 12,5x19,5.
FREE (cover price: € 12.00)
Moda e modi. Stile e costume in Italia 1900-1960
Arezzo, Basilica di San Francesco, March 24 - November 4, 2018.
Roma, 2018; paperback, pp. 96, col. ill., cm 21,5x21,5.
FREE (cover price: € 25.00)
Gli italiani e la moda. 1860-1960
Stra, Museo Nazionale di Villa Pisani, April 8 - November 1, 2017.
Edited by Alberto Manodori Sagredo.
Roma, 2017; paperback, pp. 94, b/w ill., cm 16x23.
FREE (cover price: € 15.00)
Giuliano Collina. Animi Domus
Martina Corgnati - Giuliano Collina
Edizioni Gabriele Mazzotta
Venezia, Scuola dei Mercanti, Campo Madonna dell'Orto, September 6 - October 5, 2003.
Edited by Durante L.
Italian and English Text.
Milano, 2003; paperback, pp. 96, 18 b/w ill., 31 col. ill., cm 24x30.
(Biblioteca d'Arte).
series: Biblioteca d'Arte
ISBN: 88-202-1636-1 - EAN13: 9788820216368
Subject: Essays (Art or Architecture),Monographs (Painting and Drawing)
Period: 1960- Contemporary Period
Places: No Place
Languages:
Weight: 0.68 kg
Giuliano Collina has never quiet satisfied himself with simply reflecting on painting using only the techniques of painting. Seen through the lens of his latest cycle of work, Animi Domus, he may be considered as an epic painter, though elegiac at the same time. Here the artist recovers the essential character of mystic narration; the colour is reduced to a minimum in order to favour the essential meaningfulness of the pictorial and plastic subject, Collina's houses of soul become the containers of such higlly fleeting contents that begin to grow and multiply around the artist.