L'ora dello spettatore. Come le immagini ci usano.
Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.
cover price: € n.d.
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Books included in the offer:
L'ora dello spettatore. Come le immagini ci usano.
Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.
FREE (cover price: € n.d.)
Caravaggio. La Bottega del Genio
Roma, Museo Nazionale del Palazzo di Venezia - Sale Quattrocentesche, December 22, 2010 - May 29, 2011.
Edited by Falucci C.
Roma, 2010; paperback, pp. 118, b/w and col. ill., tavv., cm 24x28.
(Cataloghi Mostre. 49).
FREE (cover price: € 48.00)
Caravaggio. La Cappella Contarelli
Roma, Palazzo Venezia, March 10 - October 15, 2011.
Edited by M. Cardinali and De Ruggieri M. B.
Roma, 2011; paperback, pp. 150, 60 b/w ill., 60 col. ill., 60 b/w plates, col. plates, cm 24x28.
(Cataloghi Mostre. 50).
FREE (cover price: € 56.00)
Art in Europe
Maraniello Gianfranco
Skira
Milano, 2003; paperback, pp. 184, 100 b/w and col. ill., cm 15x21.
(Arte Moderna Paperbacks).
series: Arte Moderna Paperbacks
Other editions available: Edizione Italiana (ISBN: 88-8491-313-6). French Edition (ISBN: 88-8491-312-8).
ISBN: 88-8491-111-7 - EAN13: 9788884911117
Subject: Essays (Art or Architecture),Painting,Sculpture
Period: 1800-1960 (XIX-XX) Modern Period,1960- Contemporary Period
Places: Europe
Extra: New Media
Languages:
Weight: 0.54 kg
The artists represented in the book come from a variety of European countries including Great Britain, Germany, France, Scandinavia, Netherlands, Belgium, Southern Europe, the Balkans, Eastern Europe and Russia. Included among these artists are well-known names such as Damien Hirst, Pipilotti Rist, Maurizio Cattelan, Pierre Huyghe, Franz Ackermann and Oleg Kulik as well as young and upcoming international artists.
They supply a visual response to Europe's present political situation. The onset of the nineties brought epoch-making changes in European economy, politics and culture, where concepts like ‘globalisation' were established along side swells of new nationalistic tendencies and the strengthening of xenophobic affinities. Europe's new-found unity has fostered the need to find distinct cultural identities, which has brought to life stunning forms of artistic expression. Today's most perceptive critics, who introduce the reader to the aesthetics and works of the leading figures in contemporary European art, illustrate the complexity of this scene. Art in Europe provides an opportunity not only for description and commentary, but also for analysis, comparison and reflection on the mode of artistic production and the principal tendencies of recent years.









