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DEAL OF THE DAY

Arturo Martini. I capolavori

Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.

cover price: € 33.00

Arturo Martini. I capolavori

Total price: € 33.00 € 97.00 add to cart carrello

Books included in the offer:

Arturo Martini. I capolavori

Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.

FREE (cover price: € 33.00)

Arturo Martini. I capolavori

Studi su Arturo Martini. Per Ofelia

Edited by Matteo Ceriana and Claudia Gian Ferrari.
Milano, Atti del Covegno, 19 maggio 2008.
Milano, 2009; paperback, pp. 136, 97 b/w ill., cm 17x24.

FREE (cover price: € 29.00)

Studi su Arturo Martini. Per Ofelia

Canova. L'invenzione della gloria. Disegni, dipinti e sculture.

Genova, Palazzo Reale, April 16 - July 24, 2016.
Edited by Giuliana Ericani and Franceasco Leone.
Roma, 2016; paperback, pp. 306, col. ill., col. plates, cm 23x30.

FREE (cover price: € 35.00)

Canova. L'invenzione della gloria. Disegni, dipinti e sculture.

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Valerio Castello

Umberto Allemandi

Torino, 2004; bound, pp. 290, b/w ill., 28 col. plates, cm 22x31,5.
(Archivi di Arte Antica).

series: Archivi di Arte Antica

ISBN: 88-422-1159-1 - EAN13: 9788842211594

Subject: Essays (Art or Architecture),Monographs (Painting and Drawing)

Period: 1400-1800 (XV-XVIII) Renaissance

Places: Ligurian

Extra: Frescoes

Languages:  italian text  

Weight: 1.74 kg


Born 1624, Died 1659
Draftsman, Painter
Italian

"From foreign countries, including all of France, orders for his pictures came to Genoa, and this raised their prices too high for words," wrote Valerio Castello's biographer in 1674. Tragically, Castello died suddenly at the height of a brilliant career.


By passionately studying a vast range of sources, Castello formed a unique, sophisticated artistic style. Born to a family of painters, the young artist copied drawings in his late father's studio and studied works by painters known for their emotional power and vivid colors. Feeling confined by his local teachers' interest in naturalism and narrative, Castello left for Milan and Parma. There, he scrutinized works by artists who bent nature in the service of expressiveness.


Patrons admired Castello's paintings of mythological and religious subjects as well as his lively oil sketches. His lively frescoes of glowing color and dramatic illusionism in various Genoese palaces made him most famous. His style united elegant figures with dramatic, violent compositions composed of spontaneous brushwork and vibrant colors. His thriving workshop's pupils included Bartolomeo Biscaino.

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