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DEAL OF THE DAY

Perugino e il Suo Tempo. "Il Meglio Maestro d'Italia"

Perugia, Galleria Nazionale dell'Umbria, March 4 - June 11, 2023.
Edited by Picchiarelli V. and Pierini M.
Milano, 2023; bound, pp. 592, 650 col. ill., cm 24x21.

cover price: € 40.00

Perugino e il Suo Tempo. "Il Meglio Maestro d'Italia"

Total price: € 40.00 € 249.90 add to cart carrello

Books included in the offer:

Perugino e il Suo Tempo. "Il Meglio Maestro d'Italia"

Perugia, Galleria Nazionale dell'Umbria, March 4 - June 11, 2023.
Edited by Picchiarelli V. and Pierini M.
Milano, 2023; bound, pp. 592, 650 col. ill., cm 24x21.

FREE (cover price: € 40.00)

Perugino e il Suo Tempo. "Il Meglio Maestro d'Italia"

Michele Rocca e la pittura rococo a Roma

Brescia, 2004; bound in a case, pp. 310, b/w and col. ill., tavv., cm 24,5x31,5.

FREE (cover price: € 180.00)

Michele Rocca e la pittura rococo a Roma

Cucinare per gli amici

Translation by S. Mancuso.
Milano, 2012; clothbound, pp. 269, ill., cm 21x26,5.
(Gli Illustrati).

FREE (cover price: € 29.90)

Cucinare per gli amici

chiudi

Viki Lu meets the Future. A Memoir and Manifesto

Edizioni Charta

English Text.
Milano, 2012; paperback, pp. 240, col. ill., cm 17x24.

ISBN: 88-8158-839-0 - EAN13: 9788881588398

Subject: Essays (Art or Architecture),Monographs (Painting and Drawing),Monographs (Sculpture and Decorative Arts),Societies and Customs

Period: 1960- Contemporary Period

Extra: New Media

Languages:  english text  

Weight: 0.86 kg


Victoria Lu (born 1951) was China's first female curator and contemporary art critic. This autobiography, an account of her 30-plus years in the Asian art world, recounts her early days in late-1970s Los Angeles, her years in Taiwan in the early 1990s when the art scene there was just beginning to bloom, and her subsequent work animating China's art culture with her relentless energy. (She writes: "If I could use one sentence to describe the last six decades of my life it would be: 'I work very hard every day from morning till night.'") The book is divided into two sections: the first contains Lu's autobiographical account, and the second presents her more speculative ideas about the present and future of Asian art, and Lu's own vision as a curator.

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