Boldini e la Moda.
Ferrara, Palazzo dei Diamanti, February 16 - June 2, 2019.
Edited by Barbara Guidi and Guidi B.
Translation by Archer M.
Contributions by Virginia Hill.
Ferrara, 2019; bound, pp. 296, b/w and col. ill., cm 24x28.
cover price: € n.d.
|
Books included in the offer:
Boldini e la Moda.
Ferrara, Palazzo dei Diamanti, February 16 - June 2, 2019.
Edited by Barbara Guidi and Guidi B.
Translation by Archer M.
Contributions by Virginia Hill.
Ferrara, 2019; bound, pp. 296, b/w and col. ill., cm 24x28.
FREE (cover price: € n.d.)
Le nuove boutique. Moda e design
Translation by Barcatta L.
Viareggio, 2005; bound, pp. 189, col. ill., col. plates, cm 24,5x29.
FREE (cover price: € 43.00)
Donna. Immagini del femminile da Boldini a oggi
Pescara, Museo d'Arte Moderna Vittoria Colonna, October 20, 2005 - January 23, 2006.
Milano, 2005; paperback, pp. 120, ill., cm 23x27.
(Biblioteca d'Arte).
FREE (cover price: € 28.00)
Miss Bell. Un dipinto di Giovanni Boldini nel Museo delle raccolte Frugone di Genova
Edited by Giubilei M. F. and Maione S.
Illustrations by Scuderi L.
Montecatini Terme, 2007; paperback, pp. 40, ill., cm 15x21.
(Sogno Intorno all'Opera. 8).
FREE (cover price: € 6.00)
Alta Moda, Grande Teatro
Torino, Venaria Reale, March 29 - September 14, 2014.
Edited by Capella M.
Torino, 2014; bound, pp. 184, b/w and col. ill., tavv., cm 17,5x25.
FREE (cover price: € 22.00)
Opuscoli inediti di Leon Battista Alberti. Musca, vita, S. Potiti
Leon Battista Alberti
Edizioni della Normale Superiore di Pisa
Edited by Grayson C.
Italian and Latin Text.
Pisa, 2006; paperback, pp. XVI-92, ill., cm 16x22.
(Forme. 1).
series: Forme.
ISBN: 88-7642-172-6 - EAN13: 9788876421723
Languages:
Weight: 0.249 kg
Published in 1954, edited by Cecil Grayson, in the "Nuova collezione di testi umanistici inediti e rari" at that time directed by Augusto Mancini and Paul Oskar Kristeller, it is one of the numerous philological and critical studies that the eminent scholar and main editor of Alberti's works published between 1952 and 1960, while he was editing the edition of the first volume of Opere volgari.
Prefaced by a foreword by Cesare Vasoli, who reconstructs its origin, the Greyson edition acquires an even greater importance as it was published in those years when that exceptional revival of Albertian studies was starting up, that changed the interpretation of one of the greatest personalities in the Humanistic and Renaissance tradition.











