Giorgio De Chirico. Il volto della metafisica.
Genova, Palazzo Ducale, March 29 - July 7, 2019.
Edited by Noel-Johnson V.
Milano, 2019; bound, pp. 246, col. ill., cm 24x29.
(Arte Moderna. Cataloghi).
cover price: € n.d.
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Books included in the offer:
Giorgio De Chirico. Il volto della metafisica.
Genova, Palazzo Ducale, March 29 - July 7, 2019.
Edited by Noel-Johnson V.
Milano, 2019; bound, pp. 246, col. ill., cm 24x29.
(Arte Moderna. Cataloghi).
FREE (cover price: € n.d.)
Giorgio de Chirico. Nulla Sine Tragoedia Gloria
Atti del Convegno Internazionale di Studi - Auditorium Dell'Iri, Roma, October 15 - October 16, 1999.
Edited by Claudio Crescentini and Crescentini C.
Co-Editore: Associazione Culturale Shakespeare and Company 2.
Montecatini Terme, 2002; paperback, pp. 504, 188 b/w ill., 21 col. plates, cm 21x30.
(Shakespeare and Company. 2).
FREE (cover price: € 75.00)
Mutazioni. Segni e sogni del XX secolo. Da de Chirico a de Maria
Gavirate, Chiostro di Voltorre, February 23 - April 27, 2003.
Milano, 2003; paperback, pp. 108, ill., tavv., cm 16x22,5.
(Biblioteca d'Arte).
FREE (cover price: € 18.00)
Georges Rouault, Giorgio De Chirico
Mosummano Terme, Villa Renatico Martini, November 23, 2003 - February 15, 2004.
Lyon, La Spirale, October 4 - October 31, 2004.
Edited by Cassinelli P., Giori M. and Viggiano D.
Italian and French Text.
Ospedaletto, 2004; paperback, pp. 150, b/w ill., b/w plates, cm 17x24.
FREE (cover price: € 13.00)
L'Apollo-Helios di Civitavecchia e il colosso di Rodi. The Apollo-Helios of Civitavecchia and the Colossus of Rhodes
Lara Anniboletti
C&P Adver Effigi
Italian and English Text.
Arcidosso, 2024; paperback, pp. 100, col. ill., cm 23x23.
(Antiqua res).
series: Antiqua res
EAN13: 9791280731562
Subject: 0-1000 (0-XI) Ancient World,Essays on Ancient Times
Period: 0-1000 (0-XI) Ancient World
Languages:
Weight: 0.44 kg
The statue dedicated to the sun-god Helios, who later became merged with Apollo, was commissioned from Chares of Lindos, the pupil of the famous Lysippos, Alexander the Great's favourite sculptor.
Showing extraordinary skill as a sculptor, Chares succeeded in imbuing his creation with the dynamism and energy of a city that had only just managed to liberate itself from a dire enemy, a city that now held aloft the beacon of victory to the sun.
The Colossus, whose base stood on one of the moles of the port, collapsed after around 60 years, owing to an earthquake. Despite its great fame, this deprived us of its real iconography: no statue is preserved. The most complete surviving copy of the statue was found among the remains of the maritime villa at Santa Marinella, on the coast north of Rome.
The elegance and lightness of this masterpiece of ancient art, held at the National Archaeological Museum of Civitavecchia, convey a deep emotion, then as now. Also on view at the National Archaeological Museum of Civitavecchia is a copy of the Athena Parthenos, a 5th century BC masterpiece by the Athenian artist Phidias A brief guide to the current museum display make this a volume packed with useful information.










