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DEAL OF THE DAY

Giorgio De Chirico. Il volto della metafisica.

Genova, Palazzo Ducale, March 29 - July 7, 2019.
Edited by Noel-Johnson V.
Milano, 2019; bound, pp. 246, col. ill., cm 24x29.
(Arte Moderna. Cataloghi).

cover price: € n.d.

Giorgio De Chirico. Il volto della metafisica.

Total price: € 35.00 € 141.00 add to cart carrello

Books included in the offer:

Giorgio De Chirico. Il volto della metafisica.

Genova, Palazzo Ducale, March 29 - July 7, 2019.
Edited by Noel-Johnson V.
Milano, 2019; bound, pp. 246, col. ill., cm 24x29.
(Arte Moderna. Cataloghi).

FREE (cover price: € n.d.)

Giorgio De Chirico. Il volto della metafisica.

Giorgio de Chirico. Nulla Sine Tragoedia Gloria

Atti del Convegno Internazionale di Studi - Auditorium Dell'Iri, Roma, October 15 - October 16, 1999.
Edited by Claudio Crescentini and Crescentini C.
Co-Editore: Associazione Culturale Shakespeare and Company 2.
Montecatini Terme, 2002; paperback, pp. 504, 188 b/w ill., 21 col. plates, cm 21x30.
(Shakespeare and Company. 2).

FREE (cover price: € 75.00)

Giorgio de Chirico. Nulla Sine Tragoedia Gloria

Mutazioni. Segni e sogni del XX secolo. Da de Chirico a de Maria

Gavirate, Chiostro di Voltorre, February 23 - April 27, 2003.
Milano, 2003; paperback, pp. 108, ill., tavv., cm 16x22,5.
(Biblioteca d'Arte).

FREE (cover price: € 18.00)

Mutazioni. Segni e sogni del XX secolo. Da de Chirico a de Maria

Georges Rouault, Giorgio De Chirico

Mosummano Terme, Villa Renatico Martini, November 23, 2003 - February 15, 2004.
Lyon, La Spirale, October 4 - October 31, 2004.
Edited by Cassinelli P., Giori M. and Viggiano D.
Italian and French Text.
Ospedaletto, 2004; paperback, pp. 150, b/w ill., b/w plates, cm 17x24.

FREE (cover price: € 13.00)

Georges Rouault, Giorgio De Chirico

chiudi

Salvator Rosa

Paul Holberton Publishing

London, Dulwich Picture Gallery, September 15 - November 28, 2010.
English Text.
London, 2010; clothbound, pp. 240, 120 col. ill., cm 24x28.

ISBN: 1-907372-01-6 - EAN13: 9781907372018

Subject: Monographs (Painting and Drawing)

Period: 1400-1800 (XV-XVIII) Renaissance

Languages:  english text  

Weight: 1.58 kg


Salvator Rosa (1615-1673) was one of the boldest and most powerfully inventive artists and personalities of the Italian 17th century. He invented new types of painting: allegorical pictures, distinguished by a haunting and melancholy poetry; fanciful portraits of romantic and enigmatic figures; macabre and horrific subjects; philosophical subjects, which bring into painting some of the major philosophical and scientific concerns of his age. His early works, particularly the landscapes, are bright and rich in picturesque motifs - crumbling towers, boats on the sea shore, colourful travellers crossing perilous bridges, bandits lying in wait in rocky ravines. But he moved towards a grander style, and his mature art is characterised by his dazzlingly free technique, and by his rich chiaroscuro and dark but strong colours which create a suggestive atmosphere. No other artist has created windswept landscapes of such expressive and emotional power, or figures of such dark and brooding intensity. Rosa invented an emphasis on freedom and sincerity. He aimed to intrigue powerful patrons by his mysterious and independent personality. Unlike Caravaggio, Rosa was truly a rebel, radical, anti-clerical, associated with libertine thought, and often in very real danger from the Inquisition.

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