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DEAL OF THE DAY

Felice Palma. Massa 1583-1625. Collezione / Collection.

Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).

cover price: € 160.00

Felice Palma. Massa 1583-1625. Collezione / Collection.

Total price: € 160.00 € 314.49 add to cart carrello

Books included in the offer:

Felice Palma. Massa 1583-1625. Collezione / Collection.

Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).

FREE (cover price: € 160.00)

Felice Palma. Massa 1583-1625. Collezione / Collection.

Le botteghe del marmo

Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).

FREE (cover price: € 34.49)

Le botteghe del marmo

Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo

Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).

FREE (cover price: € 30.00)

Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo

Bronzetti e Rilievi dal XV al XVIII Secolo

Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.

FREE (cover price: € 90.00)

Bronzetti e Rilievi dal XV al XVIII Secolo

chiudi

Pawel Althamer

Phaidon Press Limited

English Text.
London, 2011; bound, pp. 158, 20 b/w ill., 130 col. ill., cm 25,5x29,5.

ISBN: 0-7148-6085-9 - EAN13: 9780714860855

Subject: Essays (Art or Architecture),Monographs (Sculpture and Decorative Arts),Sculpture

Period: 1960- Contemporary Period

Languages:  english text  

Weight: 1.035 kg


Pawel Althamer (b.1967) originally trained as a sculptor, but his work also bears the marks of relational art - social, collaborative, participatory art that is concerned less with producing objects than with composing human interactions. Often dematerialized to the point of invisibility, this work also increasingly enlists human participants, often in what the artist describes as 'reality directed'. For Motion Pictures (2000) Althamer choreographed actors to perform everyday actions in a public square (greeting a friend, feeding pigeons) at the same time every day for three weeks. Viewers, if they didn't know what to look for, could not know whether they had seen the artwork at all. Another major element of Althamer's work is institutional critique. For a 2003 exhibition at his Berlin gallery, Neugerrieumschneider, he transformed the high-design space into a litter-strewn shell, essentially returning the gallery to its dilapidated pre-gentrification state

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