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DEAL OF THE DAY

Felice Palma. Massa 1583-1625. Collezione / Collection.

Texts by Andrei Cristina, Ciarlo Nicola, Federici Fabrizio, Claudio Casini and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).

cover price: € 160.00

Felice Palma. Massa 1583-1625. Collezione / Collection.

Total price: € 160.00 € 314.49 add to cart carrello

Books included in the offer:

Felice Palma. Massa 1583-1625. Collezione / Collection.

Texts by Andrei Cristina, Ciarlo Nicola, Federici Fabrizio, Claudio Casini and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).

FREE (cover price: € 160.00)

Felice Palma. Massa 1583-1625. Collezione / Collection.

Le botteghe del marmo

Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).

FREE (cover price: € 34.49)

Le botteghe del marmo

Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo

Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).

FREE (cover price: € 30.00)

Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo

Bronzetti e Rilievi dal XV al XVIII Secolo

Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.

FREE (cover price: € 90.00)

Bronzetti e Rilievi dal XV al XVIII Secolo

chiudi

Segmented realities

Damiani

Bologna, 2017; paperback, pp. 96, cm 15x21.

ISBN: 88-6208-422-6 - EAN13: 9788862084222

Subject: Design,Monographs (Painting and Drawing)

Period: 1960- Contemporary Period

Languages:  italian text  

Weight: 0.79 kg


Based on an exhibition at the High Museum of Art in Atlanta, Segmented Realities compiles a group of five paintings and ten sculptural paintings by Cuban-American painter José Parlá (born 1973). Each of the works suggest fragments salvaged from urban sites that have experienced social upheaval and transformation; like his segments of walls in Havana, New York, London or the Berlin Wall, Parlá's sculptures bear witness to the waves of history inscribed on their surfaces, told in the poetic language of the city--surfaces bearing layers of marks on which ensuing generations might imagine their own manifestos and declarations of selfhood. With an essay by curator Michael Rooks, this hardcover is a gorgeous documentation of Parlá's latest project. Parlá is also known for recently completing a commissioned 90-foot mural for the lobby of One World Trade Center in New York City, a mural at the Barclays Center and also at the Brooklyn Academy of Music.

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