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DEAL OF THE DAY

Il ritratto equestre di giovan carlo doria e palazzo spinola di pellicceria al tempo di rubens

Edited by Zanelli Gianluca.
Genova, 2023; paperback, pp. 240, b/w and col. ill., cm 17x24.

cover price: € 35.00

Il ritratto equestre  di giovan carlo doria e palazzo spinola di pellicceria al tempo di rubens

Total price: € 35.00 € 102.00 add to cart carrello

Books included in the offer:

Il ritratto equestre di giovan carlo doria e palazzo spinola di pellicceria al tempo di rubens

Edited by Zanelli Gianluca.
Genova, 2023; paperback, pp. 240, b/w and col. ill., cm 17x24.

FREE (cover price: € 35.00)

Il ritratto equestre  di giovan carlo doria e palazzo spinola di pellicceria al tempo di rubens

Valerio Castello.

Torino, 2008; bound, pp. 301, b/w ill., 28 col. plates, cm 21,5x31.
(Archivi di Arte Antica).

FREE (cover price: € 45.00)

Valerio Castello.

L'Eredità Donata. Franco e Paolo Spinola e la Galleria di Palazzo Spinola

Genova, Palazzo Spinola, February 5 - May 24, 2009.
Genova, GALLERIA NAZIONALE DI PALAZZO SPINOLA, February 6 - May 24, 2009.
Edited by Simonetti F.
Torino, 2009; paperback, pp. 149, b/w and col. ill., tavv., cm 17x22.

FREE (cover price: € 22.00)

L'Eredità Donata. Franco e Paolo Spinola e la Galleria di Palazzo Spinola

chiudi

Morandi's objects

Damiani

Bologna, 2015; paperback, pp. 116, 65 col. ill., cm 26x32,5.

Other editions available: Collector's Edition (ISBN: 88-6208-458-7)

ISBN: 88-6208-453-6 - EAN13: 9788862084536

Subject: Collections,Photography

Languages:  italian text  

Weight: 1.16 kg


"I sat at Giorgio Morandi's table in exactly the same place that he sat for more than 40 years. On his table the same slant of light glowed for me as had for him. I watched it slowly bloom across his now empty, but tracery filled work surface for two days in the spring of 2015. One by one, more than 260 objects that he had collected came into my hands. Dust covered and ordinary, they presented themselves as part of the mystery that Morandi left behind for us to try and understand. Many objects returned again and again to perform for him and take a fresh position within the chorus of voices arranged on his table. How is it that these quotidian objects contained so much power that they kept Morandi in thrall to them throughout his life?"

From "The Ordinary Sublime" by Joel Meyerowitz

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design e realizzazione: Vincent Wolterbeek / analisi e programmazione: Rocco Barisci