LATEST ART BOOKS
Giorgio De Chirico. Il volto della metafisica.
Genova, Palazzo Ducale, March 29 - July 7, 2019.
Edited by Noel-Johnson V.
Milano, 2019; bound, pp. 246, col. ill., cm 24x29.
(Arte Moderna. Cataloghi).
cover price: € n.d.
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Books included in the offer:
Giorgio De Chirico. Il volto della metafisica.
Genova, Palazzo Ducale, March 29 - July 7, 2019.
Edited by Noel-Johnson V.
Milano, 2019; bound, pp. 246, col. ill., cm 24x29.
(Arte Moderna. Cataloghi).
FREE (cover price: € n.d.)
Giorgio de Chirico. Nulla Sine Tragoedia Gloria
Atti del Convegno Internazionale di Studi - Auditorium Dell'Iri, Roma, October 15 - October 16, 1999.
Edited by Claudio Crescentini and Crescentini C.
Co-Editore: Associazione Culturale Shakespeare and Company 2.
Montecatini Terme, 2002; paperback, pp. 504, 188 b/w ill., 21 col. plates, cm 21x30.
(Shakespeare and Company. 2).
FREE (cover price: € 75.00)
Mutazioni. Segni e sogni del XX secolo. Da de Chirico a de Maria
Gavirate, Chiostro di Voltorre, February 23 - April 27, 2003.
Milano, 2003; paperback, pp. 108, ill., tavv., cm 16x22,5.
(Biblioteca d'Arte).
FREE (cover price: € 18.00)
Georges Rouault, Giorgio De Chirico
Mosummano Terme, Villa Renatico Martini, November 23, 2003 - February 15, 2004.
Lyon, La Spirale, October 4 - October 31, 2004.
Edited by Cassinelli P., Giori M. and Viggiano D.
Italian and French Text.
Ospedaletto, 2004; paperback, pp. 150, b/w ill., b/w plates, cm 17x24.
FREE (cover price: € 13.00)
Silent conversations
Jerôme Sans - Eric Maillet
Damiani
Signed copy.
Bologna, 2015; paperback, pp. 192.
ISBN: 88-6208-415-3 - EAN13: 9788862084154
Subject: Collections,Photography
Languages: 
Weight: 0.79 kg
Water and nature occupy a very important place in Maillet's works with water in many forms; snow, ice, and bubbles. His images reduce nature to its simplest element, allowing one to contemplate its unexpected aesthetic. The female body also holds an important place throughout his work and finds its harmony in Maillet's nature-focused universe.
His work has always taken into consideration that an open book or magazine invites the reader to look at two images simultaneously. Maillet chose 'Silent Conversations', two words meant to reflect the relationship between his images used to create diptychs. Maillet wanted to underline the exchange between the two images and indicate that it is in the middle that things happen. It also seemed interesting to Maillet to play with the contrast and the opposition (as we often see in photography and in art such as the distinction between shadows and light) of "silent" and "conversation". This seems paradoxical. This causes us to ask ourselves questions. The photos are silent yet they tie together a long personal history, much research, and many conversations.
