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DEAL OF THE DAY

Arturo Martini. I capolavori

Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.

cover price: € 33.00

Arturo Martini. I capolavori

Total price: € 33.00 € 97.00 add to cart carrello

Books included in the offer:

Arturo Martini. I capolavori

Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.

FREE (cover price: € 33.00)

Arturo Martini. I capolavori

Studi su Arturo Martini. Per Ofelia

Edited by Matteo Ceriana and Claudia Gian Ferrari.
Milano, Atti del Covegno, 19 maggio 2008.
Milano, 2009; paperback, pp. 136, 97 b/w ill., cm 17x24.

FREE (cover price: € 29.00)

Studi su Arturo Martini. Per Ofelia

Canova. L'invenzione della gloria. Disegni, dipinti e sculture.

Genova, Palazzo Reale, April 16 - July 24, 2016.
Edited by Giuliana Ericani and Franceasco Leone.
Roma, 2016; paperback, pp. 306, col. ill., col. plates, cm 23x30.

FREE (cover price: € 35.00)

Canova. L'invenzione della gloria. Disegni, dipinti e sculture.

chiudi

Statues for the Uffizi. "The Tuscan Pantheon"

Alinea Editrice

Translation by Rocchiccioli A. T.
Firenze, 2000; paperback, pp. 95, b/w ill., cm 21x22,5.
(L'Ornato di Firenze. 2).
(Arte).
(L'ornato di Firenze. Riscoperte e inediti. Collana diretta da Carlo Cinelli, Carlo Farncini e Francesco Vossilla. 2).

series: L'Ornato di Firenze

ISBN: 88-8125-334-8 - EAN13: 9788881253340

Subject: Masterpiece,Sculpture,Travel's Culture

Period: 1800-1960 (XIX-XX) Modern Period

Places: Florence,Tuscany

Languages:  italian text  

Weight: 0.38 kg


The monumental ornamentation of Florence is composed of works which are important for the history of Italian art. These works are often e neglected by the generaI public, who are attracted mainly by the great city museums.
Given our conviction that the fascination of the city is also linked to the decoration of a public nature, in itself a direct and specific expression of the collective spirit of the entire Florentine community, we feel it is important to document some episodes of this which are, in our opinion, salient in their original context.
From the many significant works we have chosen to illustrate the ones which are Iess frequently studied by historians, or those works where the interpretation seems incomplete or still bears the sign of the weight of years. Our aim is to contribute to the recovery of the artistic gIory which Riguccio Galluzzi referred to as the "ornament" of Florence (l'"Ornato" di Firenze) in his work Istoria del Granducato di Toscana sotto il governo della Casa Medici (1781), commissioned by Pietro Leopoldo di Lorena.

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