De Nittis e la rivoluzione dello sguardo.
Ferrara, Palazzo dei Diamanti, December 1, 2019 - April 13, 2020.
Edited by Pacelli M. L., Guidi B. and Pinet Hélène.
Translation by Archer M.
Ferrara, 2019; bound, pp. 288, col. ill., cm 24x29.
cover price: € 48.00
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Books included in the offer:
De Nittis e la rivoluzione dello sguardo.
Ferrara, Palazzo dei Diamanti, December 1, 2019 - April 13, 2020.
Edited by Pacelli M. L., Guidi B. and Pinet Hélène.
Translation by Archer M.
Ferrara, 2019; bound, pp. 288, col. ill., cm 24x29.
FREE (cover price: € 48.00)
De Nittis. Peppino e il ventaglio magico
Roma, chiostro del Bramante, November 13, 2004 - February 27, 2005.
Milano, Fondazione Antonio Mazzotta, primavera 2005.
Milano, 2005; bound, pp. 100, ill., cm 16x22.
(Ragazzi).
FREE (cover price: € 14.00)
Donna. Immagini del femminile da Boldini a oggi
Pescara, Museo d'Arte Moderna Vittoria Colonna, October 20, 2005 - January 23, 2006.
Milano, 2005; paperback, pp. 120, ill., cm 23x27.
(Biblioteca d'Arte).
FREE (cover price: € 28.00)
Firenze capitale (1865-2015). I doni e le collezioni del Re
Firenze, Galleria d'Arte Moderna - Appartamento della Duchessa d' Aosta, November 19, 2015 - April 3, 2016.
Edited by Condemi S.
Livorno, 2015; paperback, pp. 351, b/w and col. ill., b/w and col. plates, cm 24,5x28,5.
FREE (cover price: € 30.00)
Corpus Speculorum Etruscorum. USA. Vol. 5. West Coast Collections. Etruscan Mirrors
Helen Nagy - Bell Evelyn E.
Libreria Editrice L'Erma di Bretschneider
Illustrations by Forbes B.
English Text.
Roma, 2021; hardback, pp. 182, 71 b/w ill., 92 b/w plates, cm 23x32.
(Corpus Speculorum Etruscorum. USA. 5).
series: Corpus Speculorum Etruscorum. USA
ISBN: 88-913-2185-0 - EAN13: 9788891321855
Subject: Collections,Essays on Ancient Times,Glass
Period: 0-1000 (0-XI) Ancient World
Languages:
Weight: 0.612 kg
Analysis of the chemical composition of the mirrors is an invaluable tool to help scholars determine where the mirrors were manufactured and whether or not they are Etruscan, Roman, or even authentic works of art. Six of the mirrors in Berkeley were analyzed, while the remaining twelve were unfortunately either too fragile or corroded to allow for sampling. The mirrors in the Los Angeles County Museum of Art, the J. Paul Getty Museum, the Santa Barbara Museum of Art, the University of California, Santa Barbara, and the Seattle Art Museum were tested, the one at San Francisco State University was not. Jesse Obert, a scholar and doctoral candidate at the University of California, Berkeley, has ably summarized the results of these analyses.










