Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
cover price: € 160.00
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Books included in the offer:
Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
FREE (cover price: € 160.00)
Le botteghe del marmo
Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).
FREE (cover price: € 34.49)
Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo
Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).
FREE (cover price: € 30.00)
Bronzetti e Rilievi dal XV al XVIII Secolo
Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.
FREE (cover price: € 90.00)
The Drawings of Giorgio Vasari (1511-1574)
Härb Florian
Ugo Bozzi Editore
English Text.
Roma, 2015; clothbound in a case, pp. 752, 900 b/w ill., 120 col. ill., cm 25,5x29.
(Disegni dal Cinquecento al Settecento).
series: Disegni dal Cinquecento al Settecento
ISBN: 88-7003-056-3 - EAN13: 9788870030563
Subject: Essays (Art or Architecture),Graphic Arts (Prints, Drawings, Engravings, Miniatures)
Period: 1400-1800 (XV-XVIII) Renaissance
Places: Tuscany
Languages:
Weight: 4.84 kg
Every drawing is fully illustrated and discussed in detailed catalogue entries, including many comparative illustrations. About 100 drawings, as well as numerous paintings and frescoes are illustrated in colour. In addition to the catalogue of Vasari's drawings, arranged chronologically, the book contains introductory essays on Vasari's theory and practice of drawing, on his working relationship with his iconographic advisors, and on his extensive workshop. Further brief introductions precede some of the artist's largest projects, such as the decoration of the Sala Grande in the Palazzo Vecchio, his works in the Vatican, or his unfinished frescoes in the cupola of Florence Cathedral.










