Giorgio De Chirico. Il volto della metafisica.
Genova, Palazzo Ducale, March 29 - July 7, 2019.
Edited by Noel-Johnson V.
Milano, 2019; bound, pp. 246, col. ill., cm 24x29.
(Arte Moderna. Cataloghi).
cover price: € n.d.
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Books included in the offer:
Giorgio De Chirico. Il volto della metafisica.
Genova, Palazzo Ducale, March 29 - July 7, 2019.
Edited by Noel-Johnson V.
Milano, 2019; bound, pp. 246, col. ill., cm 24x29.
(Arte Moderna. Cataloghi).
FREE (cover price: € n.d.)
Giorgio de Chirico. Nulla Sine Tragoedia Gloria
Atti del Convegno Internazionale di Studi - Auditorium Dell'Iri, Roma, October 15 - October 16, 1999.
Edited by Claudio Crescentini and Crescentini C.
Co-Editore: Associazione Culturale Shakespeare and Company 2.
Montecatini Terme, 2002; paperback, pp. 504, 188 b/w ill., 21 col. plates, cm 21x30.
(Shakespeare and Company. 2).
FREE (cover price: € 75.00)
Mutazioni. Segni e sogni del XX secolo. Da de Chirico a de Maria
Gavirate, Chiostro di Voltorre, February 23 - April 27, 2003.
Milano, 2003; paperback, pp. 108, ill., tavv., cm 16x22,5.
(Biblioteca d'Arte).
FREE (cover price: € 18.00)
Georges Rouault, Giorgio De Chirico
Mosummano Terme, Villa Renatico Martini, November 23, 2003 - February 15, 2004.
Lyon, La Spirale, October 4 - October 31, 2004.
Edited by Cassinelli P., Giori M. and Viggiano D.
Italian and French Text.
Ospedaletto, 2004; paperback, pp. 150, b/w ill., b/w plates, cm 17x24.
FREE (cover price: € 13.00)
The Drawings of Giorgio Vasari (1511-1574)
Härb Florian
Ugo Bozzi Editore
English Text.
Roma, 2015; clothbound in a case, pp. 752, 900 b/w ill., 120 col. ill., cm 25,5x29.
(Disegni dal Cinquecento al Settecento).
series: Disegni dal Cinquecento al Settecento
ISBN: 88-7003-056-3 - EAN13: 9788870030563
Subject: Essays (Art or Architecture),Graphic Arts (Prints, Drawings, Engravings, Miniatures)
Period: 1400-1800 (XV-XVIII) Renaissance
Places: Tuscany
Languages:
Weight: 4.84 kg
Every drawing is fully illustrated and discussed in detailed catalogue entries, including many comparative illustrations. About 100 drawings, as well as numerous paintings and frescoes are illustrated in colour. In addition to the catalogue of Vasari's drawings, arranged chronologically, the book contains introductory essays on Vasari's theory and practice of drawing, on his working relationship with his iconographic advisors, and on his extensive workshop. Further brief introductions precede some of the artist's largest projects, such as the decoration of the Sala Grande in the Palazzo Vecchio, his works in the Vatican, or his unfinished frescoes in the cupola of Florence Cathedral.










