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DEAL OF THE DAY

Perugino e il Suo Tempo. "Il Meglio Maestro d'Italia"

Perugia, Galleria Nazionale dell'Umbria, March 4 - June 11, 2023.
Edited by Picchiarelli V. and Pierini M.
Milano, 2023; bound, pp. 592, 650 col. ill., cm 24x21.

cover price: € 40.00

Perugino e il Suo Tempo. "Il Meglio Maestro d'Italia"

Total price: € 40.00 € 249.90 add to cart carrello

Books included in the offer:

Perugino e il Suo Tempo. "Il Meglio Maestro d'Italia"

Perugia, Galleria Nazionale dell'Umbria, March 4 - June 11, 2023.
Edited by Picchiarelli V. and Pierini M.
Milano, 2023; bound, pp. 592, 650 col. ill., cm 24x21.

FREE (cover price: € 40.00)

Perugino e il Suo Tempo. "Il Meglio Maestro d'Italia"

Michele Rocca e la pittura rococo a Roma

Brescia, 2004; bound in a case, pp. 310, b/w and col. ill., tavv., cm 24,5x31,5.

FREE (cover price: € 180.00)

Michele Rocca e la pittura rococo a Roma

Cucinare per gli amici

Translation by S. Mancuso.
Milano, 2012; clothbound, pp. 269, ill., cm 21x26,5.
(Gli Illustrati).

FREE (cover price: € 29.90)

Cucinare per gli amici

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Subversive painting: Giovanni da San Giovanni and His Circle in Seventeenth-Century Florence

Subversive painting: Giovanni da San Giovanni and His Circle in Seventeenth-Century Florence

Quasar

English Text.
Roma, 2025; paperback, pp. 348, col. ill., cm 22x28.
(Analecta Romana Instituti Danici. Supplementa. 59).

series: Analecta Romana Instituti Danici. Supplementa

ISBN: 88-5491-574-2 - EAN13: 9788854915749

Subject: Essays (Art or Architecture),Monographs (Painting and Drawing),Painting

Period: 1400-1800 (XV-XVIII) Renaissance

Languages: english text  

Weight: 1.769 kg


Morten Steen Hansen's richly illustrated book describes a new incarnation of the court artist in the seventeenth century; one who bonded with male aristocrats through a transgressive wit. The study centers on the painter-poet Giovanni da San Giovanni (1592-1636), the leading fresco painter in Florence of his day. Against commonly held assumptions about artists at the absolutist courts, Hansen argues that in Florence artistic satire could even be directed against the patrons, Tuscan culture resisting containment by the Medici rulers.

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