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DEAL OF THE DAY

Il ritratto equestre di giovan carlo doria e palazzo spinola di pellicceria al tempo di rubens

Edited by Zanelli Gianluca.
Genova, 2023; paperback, pp. 240, b/w and col. ill., cm 17x24.

cover price: € 35.00

Il ritratto equestre  di giovan carlo doria e palazzo spinola di pellicceria al tempo di rubens

Total price: € 35.00 € 102.00 add to cart carrello

Books included in the offer:

Il ritratto equestre di giovan carlo doria e palazzo spinola di pellicceria al tempo di rubens

Edited by Zanelli Gianluca.
Genova, 2023; paperback, pp. 240, b/w and col. ill., cm 17x24.

FREE (cover price: € 35.00)

Il ritratto equestre  di giovan carlo doria e palazzo spinola di pellicceria al tempo di rubens

Valerio Castello.

Torino, 2008; bound, pp. 301, b/w ill., 28 col. plates, cm 21,5x31.
(Archivi di Arte Antica).

FREE (cover price: € 45.00)

Valerio Castello.

L'Eredità Donata. Franco e Paolo Spinola e la Galleria di Palazzo Spinola

Genova, Palazzo Spinola, February 5 - May 24, 2009.
Genova, GALLERIA NAZIONALE DI PALAZZO SPINOLA, February 6 - May 24, 2009.
Edited by Simonetti F.
Torino, 2009; paperback, pp. 149, b/w and col. ill., tavv., cm 17x22.

FREE (cover price: € 22.00)

L'Eredità Donata. Franco e Paolo Spinola e la Galleria di Palazzo Spinola

chiudi

Subversive Painting: Giovanni da San Giovanni and His Circle in Seventeenth-Century Florence

Quasar

English Text.
Roma, 2025; paperback, pp. 348, col. ill., cm 22x28.
(Analecta Romana Instituti Danici. Supplementa. 59).

series: Analecta Romana Instituti Danici. Supplementa.

ISBN: 88-5491-574-2 - EAN13: 9788854915749

Subject: Essays (Art or Architecture),Monographs (Painting and Drawing),Painting

Period: 1400-1800 (XV-XVIII) Renaissance

Languages:  english text  

Weight: 0 kg


Morten Steen Hansen's richly illustrated book describes a new incarnation of the court artist in the seventeenth century; one who bonded with male aristocrats through a transgressive wit. The study centers on the painter-poet Giovanni da San Giovanni (1592-1636), the leading fresco painter in Florence of his day. Against commonly held assumptions about artists at the absolutist courts, Hansen argues that in Florence artistic satire could even be directed against the patrons, Tuscan culture resisting containment by the Medici rulers.

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