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DEAL OF THE DAY

Arturo Martini. I capolavori

Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.

cover price: € 33.00

Arturo Martini. I capolavori

Total price: € 33.00 € 97.00 add to cart carrello

Books included in the offer:

Arturo Martini. I capolavori

Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.

FREE (cover price: € 33.00)

Arturo Martini. I capolavori

Studi su Arturo Martini. Per Ofelia

Edited by Matteo Ceriana and Claudia Gian Ferrari.
Milano, Atti del Covegno, 19 maggio 2008.
Milano, 2009; paperback, pp. 136, 97 b/w ill., cm 17x24.

FREE (cover price: € 29.00)

Studi su Arturo Martini. Per Ofelia

Canova. L'invenzione della gloria. Disegni, dipinti e sculture.

Genova, Palazzo Reale, April 16 - July 24, 2016.
Edited by Giuliana Ericani and Franceasco Leone.
Roma, 2016; paperback, pp. 306, col. ill., col. plates, cm 23x30.

FREE (cover price: € 35.00)

Canova. L'invenzione della gloria. Disegni, dipinti e sculture.

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Andrea Martinelli. Un certo sguardo

Edizioni Gabriele Mazzotta

Edited by Montrasio A. and Montrasio R.
Milano, Montrasio Arte, 7 maggio - 21 giugno 2003.
Milano, 2003; paperback, pp. 79, col. ill., cm 23x27.
(Biblioteca d'Arte).

series: Biblioteca d'Arte

ISBN: 88-202-1624-8 - EAN13: 9788820216245

Subject: Essays (Art or Architecture),Monographs (Painting and Drawing)

Period: 1960- Contemporary Period

Places: No Place

Languages:  italian text  

Weight: 0.5 kg


Andrea Martinelli was born in Prato in 1965 and studied at the Istituto Statale d'Arte of Porta Romana in Florence. Between 1992 and 1993 he caught Giovanni Testori's attention with the series of painted papers entitled Senescenze, displayed in Florence and in Milan. Some of his latest painted papers are now on display in this exhibition as well, together with oils on canvas and on board. This time Martinelli reveals his preference for portraits of city persons, alone in the middle of the night, the faces enligthed with street lamps, defiantly or astonished. The artist takes the way of realism, showing a great strength in drawing and in the use of the monocromo: realist painting is now as high and universal as it has not been for a long time.

The catalogue reproduces the works on display enlarging significant details. There is also an introduction, a critical anthology and a bio-bibliographical note.

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