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DEAL OF THE DAY

Felice Palma. Massa 1583-1625. Collezione / Collection.

Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).

cover price: € 160.00

Felice Palma. Massa 1583-1625. Collezione / Collection.

Total price: € 160.00 € 314.49 add to cart carrello

Books included in the offer:

Felice Palma. Massa 1583-1625. Collezione / Collection.

Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).

FREE (cover price: € 160.00)

Felice Palma. Massa 1583-1625. Collezione / Collection.

Le botteghe del marmo

Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).

FREE (cover price: € 34.49)

Le botteghe del marmo

Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo

Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).

FREE (cover price: € 30.00)

Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo

Bronzetti e Rilievi dal XV al XVIII Secolo

Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.

FREE (cover price: € 90.00)

Bronzetti e Rilievi dal XV al XVIII Secolo

chiudi

London

Damiani

Edited by Martin Parr.
English Text.
Bologna, 2017; paperback, pp. 104, cm 26x31,5.

ISBN: 88-6208-558-3 - EAN13: 9788862085588

Subject: Photography

Languages:  english text  

Weight: 1.09 kg


'London' is the new edition of Gian Butturini's 1969 original of the same title. In June 1969, Butturini traveled to London and was instantly captivated by the dynamics of the "Swinging City" in a decade defined by social revolution, freedom of expression, and political controversy. Picking up a camera for the first time, he was drawn to the immediacy of the photographic medium that allowed him to create images through direct encounters with the world, without the need for preliminary drawings or predetermined parameters-a way of working that was radically different from his design work. The resulting black-and-white photographs testify to Butturini's fascination with the darker side of London-the "true, bare" version of the city of the disenfranchised, destitute, and marginalized rather than the bowler hats and the changing of the guards that belonged to the realm of tourism. Disillusionment prevails in the gritty images, which evoke not only the atmosphere in the capital in the late 1960s but also Butturini's own disenchantment with social injustice and discrimination.

It all began in Victoria Station when he saw a young man staggering by with a syringe embedded in a vein. The Tube, pubs, and streets were the stage of a frenzied humanity unseen by the tourists, who were wooed by Piccadilly and Carnaby Street. Butturini recorded shots of everyday life full of pain and sarcasm, but also of joy and lyricism. There was nothing stereotyped, but plenty of irony, a focus on authenticity, and a careful selection of images.

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