Beato Angelico
Firenze, Palazzo Strozzi, September 26, 2025 - January 25, 2026.
Edited by Carl Brandon Strehlke.
Testi di Stefano Casciu, Marco Mozzo, Angelo Tartuferi.
Venezia, 2025; bound, pp. 456, 300 col. ill., cm 24x29.
cover price: € 80.00
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Books included in the offer:
Beato Angelico
Firenze, Palazzo Strozzi, September 26, 2025 - January 25, 2026.
Edited by Carl Brandon Strehlke.
Testi di Stefano Casciu, Marco Mozzo, Angelo Tartuferi.
Venezia, 2025; bound, pp. 456, 300 col. ill., cm 24x29.
FREE (cover price: € 80.00)
Marche e Toscana. Terre di grandi maestri tra Quattro e Seicento
Ospedaletto, 2007; bound, pp. 320, col. ill., col. plates, cm 25,5x29.
FREE (cover price: € 77.00)
Segni dell'Eucarestia
Edited by M. Luisa Polichetti.
Ancona, Osimo, Loreto Jesi, Senigallia, Fabriano e Metelica, 23 giugno - 31 ottobre 2011.
Torino, 2011; paperback, pp. 221, b/w and col. ill., cm 24x28.
FREE (cover price: € 32.00)
Nathalie Djurberg. Turn into me
Germano Celant
Progetto Prada Arte
Milano, Fondazione Prada, April 19 - June 1, 2008.
Translation by Sartarelli S.
With DVD.
English Text.
Milano, 2008; paperback, pp. 220, b/w and col. ill., cm 21x28.
ISBN: 88-87029-41-5 - EAN13: 9788887029413
Subject: Essays (Art or Architecture),Sculpture
Period: 1800-1960 (XIX-XX) Modern Period,1960- Contemporary Period
Places: Europe
Extra: New Media
Languages:
Weight: 1.04 kg
Next to the sixteenth-century Geyonghui Palace in Seoul, the rotating building designed by Rem Koolhaas/OMA is a shape-shifting steel structure entirely covered with a smooth elastic membrane that changes according to the hosted event.
In the interior of the Transformer, now covered with a surface of white felt that ripples and twists to form a highly baroque, sensual wrapping, the artist has created an installation articulated over the floors and walls through the use of big and small objects as well as projections that mute the whiteness and transform the architectural environment into a cave of the unconscious and oneiric. To emphasize the dramatic nature of the interior space of the Transformer, Djurberg has chosen to project, at maximum size, two other videos which, in a symbiotic interaction with the white, almost flesh-like covering of the inside environment, expand the disturbing landscape of her vision.
The exhibition project includes some works previously exhibited in 2008 for "Turn into Me", a solo show by the artist held at the Fondazione Prada in Milan.









